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DRAFT - V6 Torpedo Captor X User's Manual
Compact reactive load box, tube amp attenuator, miked cab simulator, IR loader and stereo expander
The complete electronic version of this manual, as well as the Two notes Audio Engineering software and hardware products, are subject to updates. You can download the most recent versions of the products on the Two notes Audio Engineering website.
This manual describes the Torpedo Captor X and provides instructions for its operation. It is highly recommended that you read this document before using the product. The contents of this manual have been thoroughly verified and it is believed to accurately describe the product at the time of shipment from the factory or downloaded from our website.
Two notes Audio Engineering is a registered trademark of:
OROSYS SAS
76 rue de la Mine
34980 Saint-Gély-du-Fesc
France
Tel: +33 (0)484 250 910
Fax: +33 (0)467 595 703
Contact and support: http://support.two-notes.com
Website: http://www.two-notes.com
This document is the exclusive property of OROSYS SAS. In the interest of product development, OROSYS SAS reserves the right to change technical specifications, modify and/or cease production without prior notice. OROSYS SAS cannot be held responsible for any damage, accidental or otherwise, that results from an inappropriate use of the Torpedo Captor X. Please refer to the safety instructions included in this manual. The reproduction of any part of this document is strictly forbidden without the written authorization of OROSYS SAS.
All product names and trademarks are the property of their respective owners. Product names and trademarks found in this document were used during the development of the Torpedo Captor X product but are in no way associated or affiliated with OROSYS SAS.
Foreword
1. Safety instructions
Before using the product, it is necessary to carefully read and to bear in mind the following information. Keep this document in a safe place as it is important for the protection of both user and product. Should you suspect any malfunction of the device, always seek the assistance of a qualified technician.
1.1 Reader warning
1.2 Power adapter
Before connecting the unit, please ensure that the voltage required by the mains power adapter matches the voltage standard in your country. If it does not—or if you are uncertain—do not connect the unit to a wall outlet. Doing so may cause damage to the power adapter or the unit, and could result in personal injury. Do not use this product during thunderstorms. In the event of lightning or severe weather, unplug the power adapter to reduce the risk of electric shock or fire. The mains power adapter supplied with this product complies with the electrical standards of the country where it was purchased. If a replacement is required, use only a mains power adapter that meets the same local standards.
1.3 Safety use conditions
The Torpedo Captor X must not be used near heat sources, open flames, in rain, in damp environments, or near any type of liquid. Ensure the unit is kept away from moisture at all times. When transporting the unit, handle it with care to avoid physical shock or impact that could result in damage requiring inspection or repair by a qualified technician.
Always keep the unit dry to prevent electrical failure or permanent damage.
1.4 Cleaning
Always use a dry and soft cloth with no alcohol or solvents for cleaning. Please keep the unit clean and free from dust.
1.5 Maintenance
All maintenance and repair operations must be performed only by service centers authorized by OROSYS SAS. Do not attempt to repair or modify the unit yourself.
2. Contents of the package
The shipped package contains:
- 1 x Torpedo Captor X unit in a protecting sleeve
- 1 x Mains power adapter with interchangeable plug
- 1 x USB cable
- 1 x Mini jack to 5 pin MIDI (DIN type A) cable adapter.
- 1 x Quickstart guide
- 1 x Welcome card
The complete electronic version of this manual, as well as the Torpedo Remote software are subject to updates. You can download the most recent versions of this software on the Two notes Audio Engineering Two notes Audio Engineering website.
3. Declaration of conformity
Manufacturer: OROSYS SAS
Category of product: digital audio signal processor
Product: Torpedo Captor X
Test Manager: Guillaume Pille
The Two notes Torpedo Captor X is certified to be compliant to the CE and FCC standards:
- EN 55103-1 : 1996 and EN 55103-2 : 1996.
- EN 60065 05/2002 + A1 05/2006.
- EMC directive 89/336/EEC and Low Voltage Directive 73/23/EEC.
- FCC Part 15 : 2008.
- ICES-003 : 2004.
- AS/NZS 3548 class B for Australia and New Zealand.
- IEC : 2008 - CISPR 22 class B.
4. Disposal of Waste Equipment by Users in Private Household in the European Union
5. Warranty
OROSYS SAS warrants that this TWO NOTES AUDIO ENGINEERING product shall be free of defects in parts and workmanship when used under normal operating conditions for a period of two (2) years from the date of purchase. This warranty shall apply to the original purchaser when purchased from an Authorized TWO NOTES AUDIO ENGINEERING dealer.
IMPORTANT: PLEASE RETAIN YOUR SALES RECEIPT, AS IT IS YOUR PROOF OF PURCHASE COVERING YOUR LIMITED WARRANTY. THIS LIMITED WARRANTY IS VOID WITHOUT YOUR SALES RECEIPT.
Defective products that qualify for coverage under this warranty will be repaired or replaced, (at OROSYS SAS's sole discretion) with a like or comparable product, without charge. In the case that warranty service is required, Please contact your authorized TWO NOTES AUDIO ENGINEERING dealer in order to obtain a Return Merchandise Authorization (RMA) to return the complete product to the Authorized TWO NOTES AUDIO ENGINEERING Service Center closest to you, with proof of purchase, during the applicable warranty period.
Transportation costs to the service center ARE NOT INCLUDED in this limited warranty. OROSYS SAS will cover the cost of standard ground return transportation for repairs performed under this warranty.
This limited warranty becomes void if the serial number on the product is defaced or removed, or the product has been damaged by alteration, misuse including connection to faulty or unsuitable ancillary equipment, accident including lightning, water, fire, or neglect; or if repair has been attempted by persons not authorized by OROSYS SAS. Any implied warranties, including without limitation, any implied warranties of merchantability or fitness for any particular purpose, imposed under state or provincial law are limited to the duration of this limited warranty. Some states or provinces do not allow limitations on how long an implied warranty lasts, so the above limitations may not be applicable.
OROSYS SAS ASSUMES NO LIABILITY FOR PROPERTY DAMAGE RESULTING FROM ANY FAILURE OF THIS PRODUCT NOR ANY LOSS OF INCOME, SATISFACTION, OR DAMAGES ARISING FROM THE LOSS OF USE OF SAME DUE TO DEFECTS OR AVAILABILITY OF SAME DURING SERVICE.
In case you have to send your TWO NOTES AUDIO ENGINEERING product to any other location, it is of vital importance to retain the original packing materials. It is very difficult to avoid damage if shipping the product without these materials. OROSYS SAS is not responsible for damages to the product due to improper packaging and reserves the right to charge a reboxing fee for any unit returned for service without the original packing materials. THE FOREGOING CONSTITUTES THE ONLY WARRANTY MADE BY OROSYS SAS WITH RESPECT TO THE PRODUCTS AND IS MADE EXPRESSLY IN LIEU OF ALL OTHER WARRANTIES EXPRESSED OR IMPLIED
Recommendation on the proper use of a load box with a tube amplifier
1. What is a load box?
A load box is a device that safely replaces a speaker cabinet by providing an electrical load to your amplifier. Instead of producing sound, it converts the amplifier’s output power into heat.
The most important specification of a load box is its impedance, measured in Ohms (Ω). For example, an 8-Ohm load box must be connected to the 8-Ohm speaker output of the amplifier.
Because the power is dissipated as heat, adequate cooling and ventilation are essential. Overheating can damage both the load box and the amplifier.
Why You Need a Load Box
When using a tube amplifier, you must always connect its speaker output to a load — either a speaker cabinet or a load box — before powering it on. Running a tube amp without a load can cause serious, even irreversible, damage to its output stage.
While many tube amplifiers include fuses or protection circuits, some do not provide sufficient protection. It’s impossible to predict how every amplifier will behave if powered on without a proper load.
The Torpedo Captor X
The Torpedo Captor X is a reactive load box, designed to safely replace a speaker cabinet while emulating the complex impedance of a real speaker. This ensures your amplifier operates and sounds as it should, even without a physical speaker connected.
The Torpedo Captor X does not need to be powered on to function as a load. It safely absorbs the amplifier’s output and converts it into heat, preserving tone and protecting your gear.
Safe Operation
To use the Torpedo Captor X correctly and safely:
- Always connect your amplifier’s speaker output to an appropriate load — either a speaker cabinet or the Torpedo Captor X.
- The Torpedo Captor X functions as a load even when switched off.
- The maximum supported power is 100W RMS.
- Do not operate your amplifier above this level.
- If your amplifier exceeds 100W RMS, refer to the official documentation or support articles for safe usage recommendations.
2. Which output volume for my amplifier?
Using your amplifier with a load box requires some extra care. Because there’s no sound coming from a speaker cabinet, it’s easy to accidentally push the amplifier beyond its safe operating limits. Doing so can cause premature tube wear or, in extreme cases, serious damage to the amplifier.
Monitor Your Amplifier Carefully
When testing your amplifier at high volumes for the first time, watch the tubes and overall condition of the amp closely.
- Red-glowing tubes, smoke, or unusual smells are clear signs of overheating or electrical stress.
- If any of these symptoms occur, power down immediately to avoid partial or complete destruction of the amplifier.
Understanding the “Sweet Spot”
The sweet spot—where your amplifier delivers its best tone—is rarely at maximum volume.Most amplifiers sound harsh, compressed, or unpleasant when pushed to their absolute limits.
Keep in mind:
- Most amplifier volume controls are logarithmic, meaning that the majority of volume increase happens in the first half of the knob’s rotation.
- In many cases, the amplifier is already operating at full power by 12 o’clock, even if the knob can turn further.
- Reaching maximum output power often results in excessive distortion and stress on the output stage, not necessarily better tone.
Safe Volume Practices
Running a tube amplifier at very high volume for extended periods can cause:
- Premature tube wear
- Overheating
- Possible output stage failure
Remember: Even if your volume knob isn’t at maximum, your amplifier may already be running at full output. A reliable approach is to use the same volume levels you normally would during rehearsals or live performances, rather than relying on the knob position alone.
In Summary
- Avoid running the amplifier at full power for long periods.
- Watch for visual signs of stress (glowing tubes, smoke, heat).
- Your amplifier’s best tone usually occurs below maximum volume.
3. Is the use of a Load Box Totally Silent?
The term “silent recording” is often used when describing load boxes — but in reality, the process is not completely silent. Compared to a traditional speaker cabinet and microphone setup, a load box setup is several orders of magnitude quieter, yet you may still notice a few minor sounds during use.
Instrument Noise
You will still hear the acoustic sound of your guitar or bass strings. This is perfectly normal, but in a quiet environment it can feel more noticeable, especially when monitoring through headphones.
Mechanical Noise from the Load Box
You may hear a faint buzzing or humming coming from the Torpedo Captor X itself. This is completely normal. The sound is produced by the reactive load’s internal coil as electrical current passes through it. The vibration varies with your playing dynamics and frequencies, meaning you’re actually hearing your amplifier’s power section working — often for the first time without a loudspeaker masking it.
Similarly, your amplifier’s output transformer can emit slight mechanical noise, which normally goes unnoticed when a speaker is connected.
Cooling Fan Noise
The Torpedo Captor X contains an internal fan to dissipate the heat generated by the load. Although we use a low-noise, high-speed fan, it is not completely silent. In normal operation, however — whether you’re listening through studio monitors or headphones — the fan noise is barely audible and should not interfere with recording or playing.
In Summary While the Torpedo Captor X enables near-silent operation, a few residual mechanical sounds are inherent to the way amplifiers and reactive loads function. These are normal, harmless, and part of the authentic physical behavior of your gear.
About the Torpedo Captor X
1. Introducing the Torpedo Captor X
There’s nothing quite like playing your tube amp in a perfectly tuned room, paired with ideal speaker cabinets and microphones. It’s pure joy — a sonic experience that’s hard to match.
The Torpedo Captor X lets tube amp lovers enjoy that same magic every time they play, no matter the environment. Crank your amp to its sweet spot and control the volume with the built-in attenuator — whether you’re at home, on stage, or in the studio. Want to play your 100-watt rig in silence? Enjoy an immersive headphone experience that feels just like standing in front of your favorite cab.
Tired of hauling heavy gear, inconsistent tone, or stage volume issues? Go direct to the PA or audio interface with studio-grade cabinet simulations.
Developed to solve real-world challenges — loud amps, limited time, bulky cabinets, and restricted studio access — Torpedo technology delivers professional sound without compromise.
For players who love their analog amps and pedals and prefer to avoid digital modeling, the Captor X provides a “virtual miking” solution based on advanced convolution technology. It recreates the realism and depth of a genuine cabinet and microphone setup, giving you the tone and feel of a pro studio.
Compact yet powerful, the Torpedo Captor X is a reactive load box, attenuator, cabinet simulator, IR loader, and stereo expander — built for home, live, and studio use.
It includes 32 cabinets and 8 matched microphones per cab, with more available from the Two notes Store. Choose your cabinet, select two mics, and fine-tune their placement — just like a professional sound engineer.
Thanks to its high-quality analog-to-digital conversion and wide dynamic range, every nuance of your tone is preserved.
Tested by professionals in studios and on stage, the Torpedo Captor X delivers the sound and feel of the world’s greatest recording environments — anytime, anywhere.
2. Only A Speaker Simulator?
The Torpedo Captor X is a fully standalone unit you can take anywhere — perfect for silent playing or when you want precise control over your cabinet’s output level.
Its purpose is to replace key elements of a traditional guitar or bass setup, including:
- The speaker cabinet
- The microphone
- The microphone preamplifier and selected outboard effects
By combining these elements in one compact device, the Captor X delivers a signal that faithfully replicates the sound of a professionally miked amp in a world-class studio.
3. The Front Panel Control Arsenal
The Torpedo Captor X front panel gives you hands-on control of your tone and output — everything you need, right at your fingertips:
1- Monitor levels – The grille LED indicates input and output activity (red = clipping — and not in a good way!)
2- Control output volume – Adjust the headphone and XLR DI output level
3- Fine-tune your global tone – Adapt your sound to match your amp type and playing environment.
4- Add spatial depth – Enhance the stereo field of your headphone and XLR DI outputs with adjustable room ambience
5- Keep it cool – Ensure the vent remains clear to allow proper airflow and cooling
6- Headphone connection – Plug in for silent, immersive playing
7- Set input level – Adjust to prevent signal clipping and maintain optimal headroom
8- Quick preset switching – Instantly access your favorite saved presets with a single control
4. The Back Panel Control Arsenal
The Torpedo Captor X rear panel offers all the essential connections and controls for studio, stage, and home use:
A- Power Input – Connect the supplied power adapter (use only the correctly rated power supply)
B- XLR DI Outputs – Send Stereo, Dual Mono, or Dry/Wet signals directly to your mixer, interface, or PA system
C- Ground Lift Switch – Eliminate unwanted hum caused by ground loops
D- Cooling Fan – Keep the vent area clear to ensure proper airflow and cooling
E- MIDI Input – Use the supplied ⅛” jack-to-MIDI adapter cable for external MIDI control
F- USB Port – Connect to your computer (Windows or macOS) for remote control via Torpedo Remote software. USB cable included
G- Speaker Output – Connect your speaker cabinet here using a ¼” SPEAKER cable
H- Cabinet Volume Level – Choose your cabinet’s output level:
- Low - “Home” level
- Mid - “Club” level
- High - “Stadium” level
I- Amplifier Input – Connect your amp’s speaker output here using a ¼” speaker cable (100W RMS max admissible power)
5. Use Cases & Connecting the Torpedo Captor X
The following examples illustrate the most common ways to set up your Captor X with the rest of your equipment.
5.1 Using the Attenuator With Your Cabinet
Then, connect your speaker cabinet to the SPEAKER OUT of the Captor X — again, use only a speaker cable Set your preferred cabinet volume using the VOLUME LEVEL switch Note: The Torpedo processing (cabinet simulation and effects) is applied only to the direct outputs and is not heard through the physical cabinet. |
5.2 Using Your Amp Silently in Stereo
5.3 On Stage With Dual/Mono Routing
In Torpedo Remote, select the DUAL/MONO routing mode to send two independent signals from the Captor X’s XLR Outputs — for example, one to the Front of House (FOH) and one to the stage monitors/stage monitors’ mixing desk. Use balanced microphone cables (XLR) for these connections. Note: The Torpedo Captor X’s DUAL/MONO output routing mode, provides two microphone routing behaviors. These are selected using the “MIC A/B MIXDOWN” switch - see 4.2 DUAL/MONO Routing for more information If you want to hear your amplifier’s dry sound on stage, connect your speaker cabinet to the SPEAKER OUT jack on the Captor X. Always use a speaker cable for this connection — never an instrument cable. |
5.4 Recording Your Amp Silently
In Torpedo Remote, select the DUAL/MONO routing mode and bypass the Torpedo processing on the right output. This configuration sends the full processed Torpedo signal from the left XLR output, and the dry amplifier signal from the right XLR output to your audio interface. You can then apply cabinet simulation using GENOME within your DAW |
Configuring & Using Torpedo Captor X
The Torpedo Captor X features several quick-access knobs designed for easy, on-the-fly adjustments.
- OUT LEVEL controls the overall output level of the unit.
- VOICING provides a quick global EQ adjustment.
- PRESET gives you direct access to six user presets from the front panel.
For complete control over all parameters, use the [https://www.two-notes.com/en/torpedo-series/torpedo-remote/ | Torpedo Remote software] — available for Mac/PC (via USB connection) and mobile devices (iOS & Android, via wireless Bluetooth connection). The following sections explain how to connect the Torpedo Captor X to Torpedo Remote using either a USB or a wireless connection.
1. Torpedo Remote: Your all-in-one Gateway to Edit & Control Every Parameter Within Torpedo Captor X
Torpedo Remote is available as a desktop and mobile application, facilitating access to every editable parameter within Captor X’s DSP architecture. Within Torpedo Remote you can:
- Manage Your Preset Arsenal
- Configure DynIR/IR Settings
- Configure Post FX settings per preset
- Select global Output Routing options
- Manage Captor X’s internal storage options
- Configure the Virtual Load Shaper
- Define MIDI preferences and Audio Performance settings
1.1 USB connection
1.1.1 Connecting to Your Computer
Download the Torpedo Remote software from the Torpedo Captor X product page. Choose the appropriate version in regards to your OS (Windows or macOS). Select the version that corresponds to your operating system (Windows or macOS).
After launching Torpedo Remote, you’ll be prompted to either register your unit to your Two notes account or continue as a Guest. We recommend registering your Torpedo Captor X to access firmware updates, exclusive presets, and three additional cabinets.
- Note: The three free cabinets are available only to the original owner of the Torpedo Captor X. Once the unit has been registered, these cabinets cannot be transferred or redeemed on another account (for example, if the unit is purchased second-hand).
When using Guest Mode, you can still operate the Torpedo Captor X, but you cannot import cabinets from your personal Two notes license or remove cabinets from the device.
1.2 Wireless Connection
1.2.1 Connecting to Your Phone or Tablet
You can connect your mobile device to the Torpedo Captor X via Bluetooth. Follow the steps below to establish the connection:
- Launch the Torpedo Wireless Remote app on your mobile device.
- Allow all requested permissions — these may vary depending on your device and operating system.
- When the connection window appears, follow the on-screen instructions to begin pairing.
- Enter the PIN code when prompted to complete the Bluetooth pairing process.
- Note: The PIN code is a six-digit number starting with 000, followed by the last three digits of your Captor X’s serial number. For example, if your serial number is 11123456, your PIN code will be 000456.
TROUBLESHOOTING:
If, after entering the PIN code, the Torpedo Captor X does not appear in the Devices list within Torpedo Wireless Remote, follow these steps:
- Unpair the Torpedo Captor X from your phone’s list of paired Bluetooth devices.
- Restart the pairing process using the steps outlined above.
Important Considerations:
- The Torpedo Captor X must be paired through the Torpedo Wireless Remote app, not through your phone or tablet’s Bluetooth settings.
- Some mobile devices require Location (GPS) to be enabled for Bluetooth pairing. If you are unable to connect with Bluetooth alone, try activating Location Services on your phone or tablet before attempting to pair again.
- Wireless connectivity is reserved for Mobile and Tablet devices only — Torpedo Remote’s desktop application cannot be used to connect wirelessly to Captor X; similarly, Torpedo Remote’s Wireless Application for Phone or Tablet devices cannot connect to Captor X via a wired USB connection using an adapter or similar — only a Bluetooth connection is permitted/possible.
2. Creating a Preset
2.1 VIRTUAL CABINET / IR LOADER Modes
When designing your Presets, Captor X’s Torpedo Remote software operates with two distinct environments: the “VIRTUAL CABINET” and “IR LOADER” modes.
- VIRTUAL CABINET mode is designed for use with Two notes DynIR Virtual Cabinets.
- The IR LOADER mode allows you to use third-party impulse responses (IRs) in .wav format.
Note: Both modes provide access to the same Post FX and share the same Output Routing configuration options (STEREO or DUAL/MONO) for the XLR outputs.
2.1.1 Creating a Preset in Captor X’s VIRTUAL CABINET Mode
Within Captor X’s VIRTUAL CABINET Mode, a preset includes the following elements:
- A DynIR Virtual Cabinet
- Two microphones (selected from a choice of eight) with adjustable positions within the virtual mic’ing area
- Post effects and their related settings; inclusive of:
- MIC FX EQ
- OUTPUT FX EQ (DUAL/MONO Mode Only)
- ENHANCER
- REVERB
- TWIN TRACKER (STEREO Mode Only)
- Configurable Output levels for the left and right channels
2.1.1.1 Managing Virtual Cabinets in the Torpedo Captor X
Important: To import or remove cabinets in the Torpedo Captor X, your unit must be registered to your Two notes account via Torpedo Remote. You cannot import or remove cabinets when using Torpedo Remote in Guest Mode.
Important: Cabinet Management in Captor X can only be actioned via the Desktop Variant of the Torpedo Remote Application using a wired USB connection
Cabinet Management in the Torpedo Captor X
<Image Insert / Cabinet Manager>
Open the CABINET MANAGER tab to manage the Two notes Virtual Cabinets stored in your Captor X.
- The left panel displays the cabinets available on your computer.
- The right panel shows the cabinets currently stored in the unit.
The Torpedo Captor X ships with its internal memory fully loaded — 32 DynIR cabinets are preinstalled. To import a new cabinet from your computer, you must first free space by removing one or more cabinets from the right panel.
- Note: Removing a cabinet only deletes it from the Captor X’s internal memory. It remains part of your Two notes license and can be reimported at any time using Torpedo Remote.
To import a cabinet, drag and drop it from the left panel to the right panel, or click the Load button to transfer it to the unit.
Within the CABINET MANAGER, you can also rearrange the order of the DynIR cabinets stored in your Captor X. Simply select a cabinet and move it up or down the list to change its assigned slot.
2.1.1.2 Cabinet choice
In the VIRTUAL CABINET window, click on the blue screen or the arrow next to it to open the list of available cabinets. Next to the blue screen, you’ll find several filtering options to help refine your search:
- GUITAR / BASS: Filter the list to display only guitar or bass cabinets.
- TORPEDO: View the cabinets currently stored in your Captor X.
- COMPUTER: Access the cabinets linked to your personal Two notes license and stored on your computer.
- ONLINE: Browse and audition additional cabinets available from the Two notes Store. |
2.1.1.3 Microphone choice
Each Two notes Virtual Cabinet includes a dedicated collection of eight microphones, carefully matched to that specific cabinet. To access the microphone list, click the blue window located above the fader of the desired Mic Channel in the Microphone Mixer.
Microphones are categorized by type:
- DYN — Dynamic microphone
- CND — Condenser microphone
- RBN — Ribbon microphone
2.1.1.4 Microphone Positioning
You can position the microphones freely within the highlighted trapezoid area, either in front of or behind the cabinet. Select MIC A or MIC B using the corresponding switch, then move the microphone by clicking and dragging (on a computer) or touching and dragging (on a mobile device) the mic or mic stand.
Select MIC A or MIC B using the corresponding switch, then move the microphone by clicking and dragging (on a computer) or touching and dragging (on a mobile device) the mic or mic stand.|
2.1.1.5 Microphone Mixer
Within the Microphone Mixer pane, use the following controls to adjust each microphone independently:
- Fader – Sets the microphone’s volume level.
- FRONT/BACK switch – Positions the microphone in front of or behind the cabinet.
- Bypass (B) – Sends the unprocessed signal.
- Mute (M) – Silences the microphone channel.
- Phase (Ø) – Inverts the microphone’s phase.
- DISTANCE and AXIS knobs – Adjust the microphone’s position relative to the speaker.
- Pan - Available only in STEREO mode, the Pan control positions each microphone within the stereo field, allowing precise spatial placement for the left and right channels.
- MIC A/B MIXDOWN (Switch) — Available only in DUAL/MONO mode, the MIC A/B MIXDOWN switch blends the two microphone channels after their individual MIC EQ and ENHANCER Post FX stages, producing a single mono summed signal. This summed signal is then routed to the OUTPUT FX LEFT/RIGHT processing blocks, where it passes through output-specific FX (including the OUTPUT FX EQ and REVERB) before being sent independently to the Left and Right XLR outputs
Creating a Preset in IR LOADER Mode
Within Captor X’s IR LOADER Mode, a preset includes the following elements:
- Up to 2 static Impulse Responses in IR SLOT A and IR SLOT B. * Post effects and their related settings; inclusive of:
- MIC FX EQ
- OUTPUT FX EQ (DUAL/MONO Mode Only)
- ENHANCER
- REVERB
- TWIN TRACKER (STEREO Mode Only)
- Output levels for the left and right channels
Importing Static Impulse Responses into Captor X
Important: To import or remove third-party IRs in the Torpedo Captor X, the unit must be registered to your Two notes account via Torpedo Remote. You cannot import or remove IRs when using Torpedo Remote in Guest Mode.
Static Impulse Response Management in the Torpedo Captor X
To load an IR file into the Captor X’s internal memory, first open the IR MANAGER window in Torpedo Remote.
- The left panel displays the IR files stored on your computer, allowing you to browse the folders where your IRs are located.
- The right panel shows the IR files currently loaded into the Torpedo Captor X.
- You can drag and drop IRs from the left panel (computer) to the right panel (Captor X) to import them.
- To free up memory slots in the unit, drag and drop IRs to the bin at the bottom of the window.
- Note: Removing an IR only deletes it from the Captor X’s memory — it remains in your collection on the computer.
The Torpedo Captor X can store up to 512 impulse responses (IRs). When you upload an IR to the Captor X, you choose the IR length; Available memory depends on the IR length you select. The internal memory allows:
- 512 slots for 20ms IRs (4 banks of 128 slots)
- 256 slots for 40ms IRs (4 banks of 64 slots)
- 84 slots for 100ms IRs (4 banks of 21 slots)
- 44 slots for 200ms IRs (4 banks of 11 slots)
When transferring IRs, you can adjust several parameters to optimize Captor X’s performance:
- IR Length – Increasing the IR length improves the resolution and low-end accuracy of the Torpedo’s processing; available options include 20ms, 40ms, 100ms, or 200ms.
- If the original IR is longer than the selected length, Torpedo Remote will truncate it to that length.
- If the original IR is shorter, Torpedo Remote will pad it with silence (zeros) to match the selected length.
- Keep in mind that a 40 ms IR occupies two memory slots in the Captor X.
- IR Offset – Determines how the IR file is aligned and processed during transfer.
- Min Phase – Re-aligns samples to ensure the IR remains in phase with others (recommended when using multiple IRs processed the same way).
- Min IR Latency – Removes any silence before the first sample, minimizing latency. This may slightly alter the tone.
- Original- Leaves the IR unchanged. This preserves the file exactly as it is, but may result in phase issues when mixed with other IRs.
Preview Mode
You can also use IRs stored directly on your computer’s hard drive without importing them into the Captor X. When doing so, the unit operates in Preview Mode, which allows you to load one IR at a time (in the IR SLOT A only). Presets using a previewed IR can be saved on your computer, but not stored in the Captor X. To access the full functionality of the unit, import your IR files into the Captor X’s internal memory.
IR Mixer
Within the IR Mixer pane, use the following controls to adjust each Impulse Response independently:
- Fader – Sets the IR’s volume level.
- Bypass (B) – Sends the unprocessed signal.
- Mute (M) – Silences the microphone channel.
- Phase (Ø) – Inverts the microphone’s phase.
- Pan - Available only in Stereo mode, the Pan control positions each IR within the stereo field, allowing precise spatial placement for the left and right channels.
- IR A/B MIXDOWN (Switch) — Available only in DUAL/MONO mode, the IR A/B MIXDOWN switch blends the two IR channels after their individual IR EQ and ENHANCER Post FX stages, producing a single mono summed signal. This summed signal is then routed to the OUTPUT FX LEFT/RIGHT processing blocks, where it passes through output-specific FX (including the OUTPUT FX EQ and REVERB) before being sent independently to the Left and Right XLR outputs
2.2 Shaping Your Tone in the VIRTUAL CABINET and IR LOADER Modes
The Torpedo Captor X provides a range of powerful tools to refine and shape your tone before sending it to a public address (PA) system or audio interface. These tools are available in both the VIRTUAL CABINET and IR LOADER Modes
2.2.1 Noise gate
The THRESHOLD control determines the level at which the gate becomes active: When your signal is above the THRESHOLD, the gate is open (signal passes through). When your signal is below the THRESHOLD, the gate is closed (noise is reduced and the closed status indicated by the illuminated green LED adjacent to the CLOSED label).
The LEARN function automatically sets the optimal THRESHOLD level. To use it: Set your guitar’s volume to maximum. Mute your strings with your hand. Click LEARN — the Noise Gate will analyze the input signal and set the THRESHOLD automatically. |
2.2.2 EQ
Guitar mode: 120Hz, 360Hz, 800Hz, 2000Hz, 6000Hz (centre frequency of each band from the lower to the highest).
Bass mode: 50Hz, 120Hz, 360Hz, 800Hz, 4000Hz (centre frequency of each band, from the lowest to the highest)
Custom mode: the bands are as follow:
- Low Cut: low cut, 10 - 500Hz (12 dB per octave slope)
- Low: low shelf, 60 - 240 Hz, +/-20dB
- LMid: peak, 180 - 720 Hz, +/-20dB
- Mid: peak, 400 - 1600 Hz, +/-20dB
- HMid: peak, 1 - 4 kHz, +/-20dB
- High: peak, 3 - 12kHz, +/-20dB
2.2.3 Enhancer
| The Enhancer is a combination of dynamic and tone-shaping tools especially tailored for your guitar and/or bass. |
The Dry/Wet allows you to balance the cab sim signal and the processed signal by the Enhancer. At zero (knob turned all the way down), only the cab sim signal is heard. At halfway position, the level of the cab sim signal is equal to the level of the enhancer. At full (knob turned all the way up), you are only hearing the signal processed by the Enhancer.
Body is a compressor with a high-pass filter (set at 100hz in Guitar mode and 150hz in Bass mode). It only affects the low-mids and above frequencies of the signal. Body will render your tone fuller and more present. Thickness and Brilliance emphasize the low end and high end of the tone, respectively.
Thickness is centered at 400 Hz in Guitar mode and 150 Hz in bass mode.
Brilliance is centered at 1500hz in Guitar mode and 2000hz in bass mode. Both Thickness and Brilliance have a gain range between 0 and +15dB.
2.2.4 Reverb
When using the Custom Reverb, you have access to the following parameters:
- Dry/wet: adjusts the level of the incoming signal and the reverb. With the know at halfway, both levels are equal.
- Size: adjusts the size of the room. From tiny to gigantic.
- Echo: adjusts the level of the reflections.
- Color: adjusts the tone of the reverb from darker to bright.
There is also a switch to change the acoustic characteristics of the reverb:
- Room: plenty of early reflections with a bright sound.
- Ambience: subtle early reflections and a bass-heavy response.
2.3 Importing cabinets in the Torpedo Captor X
To import or remove cabinets in the Torpedo Captor X, you need to register your Torpedo Captor X via Torpedo Remote to your Two notes account. You cannot import or remove cabinets when using Torpedo Remote in Guest mode. Use the CABINET MANAGER tab to manage the Two notes Virtual Cabinets in Torpedo Captor X. The Left panel indicates the cabinets available on your computer. The right panel shows the Virtual Cabinets stored in the unit.
The Torpedo Captor X comes with its internal memory for Virtual Cabinets at full capacity with 32 DynIR cabinets already loaded. To import a cabinet that is stored in your computer to the unit, you need to free space by unloading one or more cabinet located on the right panel. (Note: The cabinet is only removed from the Torpedo C.A.B. M+. You still have it in your license, and can reimport it at any time with Torpedo Remote). Drag and drop any cabinets from the left panel (your computer) to the right panel for the import in the Torpedo C.A.B. M+, or click the load button to move the cabinet from the left panel to the right panel.
In CABINET MANAGER, you can rearrange the order of the DynIR cabinets in the Torpedo Captor X. Select one cabinet, and move it up and down the list to change its designated slot.
2.4 Saving and loading presets
| The preset rack at the top of the screen lets you save and load presets in the Torpedo Captor X. There are 128 memory slots for presets. |
Use the PRESET MANAGER tab to manage the presets in Torpedo Captor X. The Left panel indicates the preset folders on your computer. The right panel shows the presets stored in the unit.
Move the presets up and down to change their order in Torpedo Captor X. The first 6 slots are accessible by the PRESET knob at the front of the unit. Remove presets by dragging and dropping them in the bin below. Drag and drop presets from the left panel (your computer) to the right panel (internal memory of the Captor X).
3. Creating a preset with a 3rd-party IR
The Torpedo Captor X can load up to 512 IRs. All imports of IRs are done by Torpedo Remote through the IR manager (via computer). Upon upload into the Captor X, the IRs length can be set to 20, 40, 100 or 200 ms long. If the IR is longer it will be shortened by Torpedo remote to the selected length. If it is shorter it will be extended (filled with zeros) to the selected length. The internal memory has the following allowances regarding the length of the IR:
- 512 slots for 20ms IRs, in 4 banks of 128 slots
- 256 slots for 40ms IRs, in 4 banks of 64 slots
- 84 slots for 100ms IRs, in 4 banks of 21 slots
- 44 slots for 200ms IRs, in 4 banks of 11 slots
3.1 IR choice
To use custom made IRs with Torpedo BlendIR or 3rd-party IRs, you need to select IR Loader mode in Torpedo Remote. The window will have a similar layout to the Virtual Cabinet. you can load one IR per channel, and have the same control on each channel: mute, bypass, phase, and volume with the fader. You will then be able to shape the tone with the EQ, the Enhancer and the Reverb.
3.2 Importing IRs in the Torpedo Captor X
To import or remove 3rd-party IRs in the Torpedo Captor X, you need to register your Torpedo Captor X via Torpedo Remote to your Two notes account. You cannot import or remove 3rd-party IRs when using Torpedo Remote in Guest mode. To load a file into the Torpedo Captor X internal memory, use the IR Manager window.
The left panel is the files on your computer. You can browse the folders where you have stored your IRs. The right side represents the IR files that are loaded in the Torpedo Captor X. You can drag and drop the IRs from the computer (left) to the Torpedo (right). If you wish to free memory slots in the pedal, you can drag and drop the IRs to the bin at the bottom. (this does not delete the IR from your collection, only from the Torpedo Captor X).
You have access to some options to modify the IR file for the transfer:
- IR length: increasing the IR length will improve the resolution of the Torpedo processing (more precision will lead to better accuracy in the low end). Please note that a 40ms IR will take 2 slots in your Torpedo Captor X' s internal memory.
- IR offset: you have access to 3 options that will change the way the IR file will be processed:
- Min Phase: an algorithm will move the samples in the file so it will sound in phase with any other IR file (provided you use that function to transfer the other files as well).
- Min. IR Latency: the file is cut so there is no silence before the first sample, this can lead to a change in the sound but your latency will be minimal.
- Original: the samples in the file remain untouched. You may experience phase cancellation issues with mixing it with other IR files.
It is possible to use IRs that are stored on your computer's hard drive directly. When doing so, you will be in Preview mode.You will only be able to use one IR at a time, in IR A. You will be able to save the preset on your computer using this IR, but not to the Torpedo. To have full capacities when using IRs, import the files in the Torpedo.
4. Output Routing
4.1 Stereo Routing
In Stereo, both outputs send the same cab sim signal. In Stereo, you have access to the Twin Tracker and all reverbs are stereo.
4.1.1 The Twin Tracker
It has 2 parameters:
- Balance: sets the level of the twin tracker. If turned all the way down, you will only hear the left output of the Torpedo Captor X.
- Tightness: sets the delay of the virtual guitarist. The latency can reach 70 ms. (if you plug only the right XLR output and notice an enormous amount of latency while playing, check that you are not in Stereo routing with the Twin Tracker on and that the Tightness parameter is at its highest point).
The Twin Tracker is only available in Stereo routing. When on, the Width of the reverb is automatically set to 100%.
4.1.2 Stereo Reverb
In stereo, you can set the stereo size of any rooms with the Width parameter: from mono (knob turned all the way to the left) to full wide stereo (knob turned all the way to the right).
4.1.3 Space knob assignement
Here are the different assignment possibilities:
4.2 Dual Mono Routing
This routing allows you to send independent signals from each XLR outputs. You will be able to set a different EQ and dry/wet reverb level to the right XLR output. The layout of the Torpedo Remote will show you an additional EQ next to the right output fader.
4.2.1 Additional EQ
4.2.2 Dry/Wet reverb setting
You can set 2 different Dry/wet reverb levels for each XLR outputs. The parameter in the reverb rack is only editable through Torpedo Remote. Depending on the SPACE knob assignment, the Dry/wet in the reverb rack will affect the Left or the Right XLR output.
4.2.3 Space knob assignement
It is possible to set different behaviours to the SPACE Knob:
4.2.4 The "Bypass Torpedo Processing"
5. Tuner
6. Voicing knob
7. MIDI control
8. Flashing red LED
The Torpedo Captor X is equipped with a red LED to signal the following events or issues with your Torpedo Captor X:
- Clipping of the input or the output stages of the Torpedo Captor X
- File transfer with the Remote software
- System errors, unrelated to the incoming signal
8.1 Clipping the input or output
It is possible to overload the input or output stages of the Torpedo Captor X. The red LED will then light up, according to the signal. Start by turning the Output Level down. If the LED is still lighting up when you play, you are clipping the input of the Torpedo Captor X. Engage the IN LEVEL switch see front panel image, element N°7 to the LOW position. It activates a -15dB pad on the input signal. If the LOW switch is engaged and you are still clipping the input stage of the Captor X, turn down the volume of the amp until the red LED turns itself off.
With Torpedo remote, you can see the input and output levels through the dedicated vumeters.
8.2 Communication with Remote
When a file transfer is occuring between the Torpedo Captor X and the Remote software, the red LED acts as a progress indicator: it flashes when a certain percentage of the data is actually sent. This allows to check if the transfer is occuring normally, or stalled.
This happens when transfering virtual cabinets, IR files, and firmware files (during firmware updates).
8.3 System error
The Torpedo Captor X red LED flashes when an error is detected inside the firmware of the unit.
To differentiate system error LED flashes from input or output clipping errors, turn off your amp, and disconnect it from the Torpedo Captor X. If the Captor X keeps flashing red light while being unplugged from the amp, this shows a system error. You can decipher the flashes with this article on LED report. Please submit a ticket on the helpdesk with the transcription of the LED report.
User Cases
1. Using the attenuator
The attenuator allows you to dim the volume level of the cabinet connected to the SPEAKER OUT of the Torpedo Captor X. The use of a cabinet is not mandatory with the Torpedo Captor X. As it is a load box, your amp is provided with a safe load at all time when connected to the SPEAKER INPUT.
| To use the attenuator, you need to connect a cabinet to the SPEAKER OUT of the Torpedo Captor X. You will activate the attenuator with the Volume Level switch. |
You have 3 settings for the Volume Level of the cabinet:
- FULL: the attenuator is bypassed. The full power delivered by the amp is passed on to the cabinet. Also, the impedance seen by the amp is the cabinet’s. Use the amp's speaker output that matches the cabinet (for example: 16 Ohms cabinet, use the 16 Ohms output whatever the impedance of the Captor X).
- “HALFWAY” (unlabelled): the attenuator is activated. The level is dimmed by 20dB. The amp is seeing the impedance of the Torpedo Captor X. This level is considered to be very useful to keep your cabinet on stage.
- LOW: The attenuator is fully activated and the level is reduced by 38dB - the amp is seeing the impedance of the Torpedo Captor X. This level is designed to allow you to play your tube amp at home. In most situations this will fully attenuate your amplifier, but it may be the fact that some signal still comes through your cabinet.
2. Torpedo Captor X at home
2.1 Silent use
The Torpedo Captor X is a reactive load box. This allows you to play your tube amp without using a cabinet. This is ideal at home to record at any time of the day or night practice, etc. You just need to connect your amp to the SPEAKER IN of the Torpedo Captor X. You can listen to your tube amps through the headphones output, or with your monitors using the XLR DI outputs.
2.2 With a cabinet
With the attenuator, it is possible to reduce the level of your physical cabinet suitable for home playing with up to 38dB of attenuation. Connect your cabinet to the SPEAKER OUT of the Torpedo Captor X. None of the effects or cab sim within the unit (Enhancer, Reverb, Twin Tracker, EQ) can be heard through the cabinet. You need to connect the XLR DI outputs to an audio interface or a mixing desk to listen to the audio treatment of the Torpedo Captor X on monitors.
3. Torpedo Captor X on stage
3.1 Using the Dual Mono routing
With Torpedo Remote, you can set the Torpedo Captor X to send 2 different signals out of the XLR outputs. Select the DUAL MONO routing with the purple button above the Output level knob (see section 4.4 for output routings). The signal going out of the unit can have a different eq and a different reverb level in DUAL MONO routing. See section 4.4.2 for all the options. You can send one signal to the Front Of House and the other to the monitors. The Voicing knob impacts both outputs.
3.2 With a cabinet
With the attenuator, it is possible to dim the level of your physical cabinet. The halfway position is suitable for stage levels with its 20dB of attenuation. Your cabinet will be an added source to monitor your sound. Connect your cabinet to the SPEAKER OUT of the Torpedo Captor X. None of the effects or cab sim within the unit (Enhancer, Reverb, Twin Tracker, EQ) can be heard through the cabinet.
4. Torpedo Captor X in the studio
4.1 Using the "Bypass Torpedo Processing"
The DUAL MONO routing also allows you to send a dry signal of the incoming amp signal through the right output of the Torpedo Captor X. Click on the BYPASS button above the fader of the RIGHT channel. This will bypass the whole Torpedo processing of the unit. The dry amp signal will allow you to add the cabinet simulation later in your mix with the plugin Torpedo Wall of Sound.
You are able to record two different amp signals at once in your DAW: the full Torpedo cab sim signal from the LEFT XLR output of the Torpedo Captor X, and the dry amp signal from the RIGHT XLR output.
4.2 With a cabinet
Connect your favorite cabinet and mic it to have 3 different signals recorded at the same time. Use the different Volume Level settings to adjust the level of the cabinet.
5. Want more cabs?
5.1 Two notes cabinets
You can preview any cabinets that are not in your license when using Desktop Remote. This is why when you browse the cabinets in the Remote the list is way bigger than what you have in your license or in your Torpedo Captor X.
You will see 3 types of icons in front of the names of the cabinets :
| | Cabinets which are on your Torpedo unit. |
| | Cabinets which are on your licence loaded in your computer |
| | Cabinets which you do not own but can preview before buying them on the Two notes Store. |
When you are previewing a cabinet that is on your computer (which means that you own it and it is in your license stored in your computer), the Remote needs to load the cabinet first so you can edit all the parameters. As you are previewing, you will only have access to one microphone for the cabinet. Audio is still going through the unit, so you can use the Captor X as you would normally.
| | This box allows you to transfer the cabinet you are previewing from your computer to your Captor X (as long as you have memory slots available in your unit). |
When you are previewing a cabinet that you do not own, random silences are inserted and you only have access to one mic to preview the cabinets.
For your security, no billing or information on the payment method is stored on the Remote.
5.2 .tur files
.tur are proprietary files created with the Two notes Audio Engineering Torpedo BlendIR software. The software is available for download from the Two notes Audio Engineering website. With Torpedo BlendIR you are able to use the Torpedo technology to capture the sound signature of your own cabinet and microphone in the deepest details.
To load a file into the Torpedo, place it in the default Impulse directory, or select the directory containing the files through Torpedo Remote (this can be done in the menu). You can then load the files into the Torpedo through the Memory Manager or directly listen to them through the main Remote window.
Please note that with .tur files you do not have access to the microphone positioning parameter.
Setup Manager
This section of Torpedo Remote sets the hardware parameters of the unit such as the audio latency, the MIDI mapping, the white LED, etc. You will also find the serial number of the unit, as well as the firmware version. You will also set the reference point for the tuner. By default, it is set at 440 hz.
1. MIDI
The Torpedo Captor X handles both preset change commands (Program Change or PC) and parameter change commands (Control Change or CC). This way, you can interact with all the parameters on the unit from any kind of standard MIDI controller, like a MIDI pedalboard or a keyboard.
- Select if the unit is to receive to Program Change and/or Control Change commands. For example, if you plan to use the preset switching (PC), the CC receive can be Off.
- Set a MIDI channel for the unit to receive. You can choose to receive all channels, which is useful when you don’t know exactly on which channel the commands are sent.
- With the MIDI monitor, check the correct reception of the commands by the Torpedo Captor X.
See section 7.1 MIDI Mapping for the tables concerning Program Change and Command Change.
2. Audio Performance
The indicated latency is the actual latency of the whole device, measured from the input to the output. Even at the highest setting, the latency is low enough not to be noticed when playing. However, latencies add up when using several digital products, which can lead to a point where it becomes noticeable. In that case, lowering this setting can prove useful.
- Latency is 1.2ms with IR Length at 20ms
- Latency is 2.2ms with IR Length at 40ms
- Latency is 3.5ms with IR Length at 100ms
- Latency is 4.8ms with IR Length at 200ms
The factory default setting of the unit is 3.5ms of latency.
Impedance selection guide
The effective impedance of the ensemble “amp + Torpedo Captor X + speaker cabinet (ie, the impedance actually seen by the amplifier) depends on the position of the VOLUME LEVEL switch:
| My situation | Volume Level Setting | Impedance seen by the amp |
| I have a speaker cabinet connected to the SPEAKER output | Volume Level on LOW and halfway position | Impedance of the Captor X |
| I have a speaker cabinet connected to the SPEAKER output | Volume Level on FULL position | Impedance of the cabinet |
It is implied throughout the manual that the amp and the Captor X have matching impedance (you are using the matching speaker output of your amp to connect to the Captor X). In that setup, when the Volume Level switch is on FULL, if your cabinet has a different impedance than the Captor X, you will have an impedance mismatch. If you want or need to mismatch the impedance of the amp and load, we recommend the following:
- Only go for small mismatches: 4 vs 8, 8 vs 16. But not 2 vs 8 or 16, 4 vs 16.
- Play your amp at low level, at least at first. Monitor the behavior of the amp, the tone coming out of it, the color of the output tubes. If anything seems wrong, stop playing. In short, follow even more carefully the Recommendation on the proper use of a load box with a tube amplifier you'll find in the user manual of your Torpedo product.
This article about Impedance mismatch outlines all the precautions to take in making this match as safe as possible.
Transistor (solid-state) amps are designed differently, and usually have a “minimum load” rating rather than expecting an exact impedance match. This means you can use any speaker or load box with an impedance equal or greater than this rating. A speaker output rated “8 ohms min” can safely be used with 8 or 16 ohms loads.
IMPORTANT NOTE: when the Volume Level switch is on FULL, the internal loadbox is disconnected as soon as you plug a cable in the SPEAKER output of the Captor X. The amplifier connected to the Captor X is no longer connected to its internal loadbox, but to whatever is connected to the other end of this cable. As a result, if you connect a cable in the SPEAKER output of the Captor X with nothing else connected to the other end, your amplifier will not be connected to a proper load.
Specifications
1. MIDI
1.1 MIDI cable
The Torpedo Captor is supplied with a MIDI 5 pin DIN type A connector to TRS jack 3.5 mm (1/8”) connector. The wiring of the cable complies with the standard set by The MIDI Manufacturers Association (MMA) for use of TRS Connectors with MIDI Devices.
The wiring is as follow:
* Tip is connected to pin N°5
* Ring is connected to pin N°4
* Sleeve is connected to pin N°2
For all information on the standard as set by the MMA, visit their website.
1.2 Program Change (PC)
Each preset on the Torpedo Captor X has a single program number. The preset 001 of the machine is triggered by a MIDI PC 1, you can address the 128 presets, with MIDI PC 1 to MIDI PC 128. This way, it is possible to randomly access the preset by sending the appropriate MIDI PC number.
1.3 Control change (CC)
The following table indicates the Control Change numbers for every parameter, as well as their range and behavior.
| < 100% 20% 10% 15% 55% > |
| Parameter | CC# | Range | Behavior |
|---|---|---|---|
| Simulation & IR Loader modes | |||
| Cab/mic | |||
| On/Off | 6 | 0-1 | 0 = Off ; 1 = On |
| Unused | 7 | 0-1 | 0 = Off ; 1 = On |
| Cab | 8 | 0-x | 0 = Cab #0 ; 1 = Cab #1… |
| File A | 9 | 0-x | 0 = File #0 ; 1 = File #1… |
| File B | 10 | 0-x | 0 = File #0 ; 1 = File #1… |
| Folder A | 11 | 0-3 | 0= User 0 ; 1= User1; 2 = User 2 ; 3 = User 3 |
| Folder B | 12 | 0-3 | 0= User 0 ; 1= User1; 2 = User 2 ; 3 = User 3 |
| Mic A | 13 | 0-7 | 0 = Mic #1 ; 1 = Mic #1… |
| Distance A | 14 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Center A | 15 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Position A | 16 | 0-1 | 0 = Back : 1 = Front |
| Level A | 35 | 0-107 | 0 = -95dB ; 95 = 0dB ; 107 = 12dB |
| Phase A | 36 | 0-1 | 0 = Normal ; 1 = Invert |
| Mute A | 37 | 0-1 | 0 = Off (no mute) ; 1 = On (mute) |
| Mic B | 38 | 0-7 | 0 = Mic #1 ; 1 = Mic #1… |
| Distance B | 39 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Center B | 40 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Position B | 41 | 0-1 | 0 = Back : 1 = Front |
| Level B | 42 | 0-107 | 0 = -95dB ; 95 = 0dB ; 107 = 12dB |
| Phase B | 43 | 0-1 | 0 = Normal ; 1 = Invert |
| Mute B | 44 | 0-1 | 0 = Off (no mute) ; 1 = On (mute) |
| Bypass A | 51 | 0-1 | 0 = Off (Mic on) ; 1 = On (Mic Bypass) |
| Bypass B | 52 | 0-1 | 0 = Off (Mic on) ; 1 = On (Mic Bypass) |
| EQ | |||
| On/Off | 17 | 0-1 | 0 = Off ; 1 = On |
| Mode | 18 | 0-2 | 0 = Guitar : 1 = Bass ; 2 = Custom |
| Gain: Low | 19 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Gain: Low Mid | 20 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Gain: Mid | 21 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Gain: High Mid | 22 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Gain: High | 23 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Freq: Low Cut | 45 | 0-127 | Specific mapping to Hz |
| Freq: Low | 46 | 0-127 | Specific mapping to Hz |
| Freq: Low Mid | 47 | 0-127 | Specific mapping to Hz |
| Freq: Mid | 48 | 0-127 | Specific mapping to Hz |
| Freq: High Mid | 49 | 0-127 | Specific mapping to Hz |
| Freq: High | 50 | 0-127 | Specific mapping to Hz |
| Level | |||
| Preset Level | 24 | 0-107 | 0 = -95dB ; 107 = +12dB |
| Preset Level R | 86 | 0-107 | 0 = -95dB ; 107 = +12dB |
| Reverb | |||
| On/Off | 25 | 0-1 | 0 = Off ; 1 = On |
| Preset | 26 | 0-7 | 0 = Room #0 ; 1 = Room #1… |
| Dry/Wet | 27 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Dry/Wet R | 72 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Size | 53 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Echo | 54 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Color | 55 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Type | 56 | 0-1 | 0 = Room ; 1= Ambience |
| Width | 57 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Noise Gate | |||
| On/Off | 58 | 0-1 | 0 = Off ; 1 = On |
| Mode | 59 | 0-1 | Soft = Off ; Hard = On |
| Threshold | 60 | 0-80 | 0 = -80dB ; 80 = 0dB |
| Enhancer | |||
| On/Off | 61 | 0-1 | 0 = Off ; 1 = On |
| Instrument | 62 | 0-1 | 0 = Guitar ; 1 = Bass |
| Body | 63 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Thickness | 64 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Brilliance | 65 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Dry/Wet | 66 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Twin Tracker | |||
| On/Off | 67 | 0-1 | 0 = Off ; 1 = On |
| Tightness | 68 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Balance | 69 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Output | |||
| Mode | 70 | 0-2 | 0 = Stereo ; 1 = Dual Mono ; 2 = Dual Mono, R Bypass) |
| Space Pot Assign | 71 | 0-1 | Stereo: 0 = Stereo Expander ; 1 = Dry/Wet Dual Mono: 0 = Dry/Wet ; 1 = Dry/Wet L ; 2 = Dry/Wet R Dual Mono, R Bypass: 0 = Dry/Wet |
| EQ R | |||
| On/Off | 73 | 0-1 | 0 = Off ; 1 = On |
| Mode | 74 | 0-2 | 0 = Guitar : 1 = Bass ; 2 = Custom |
| Gain: Low | 75 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Gain: Low Mid | 76 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Gain: Mid | 77 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Gain: High Mid | 78 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Gain: High | 79 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Freq: Low Cut | 80 | 0-127 | Specific mapping to Hz |
| Freq: Low | 81 | 0-127 | Specific mapping to Hz |
| Freq: Low Mid | 82 | 0-127 | Specific mapping to Hz |
| Freq: Mid | 83 | 0-127 | Specific mapping to Hz |
| Freq: High Mid | 84 | 0-127 | Specific mapping to Hz |
| Freq: High | 85 | 0-127 | Specific mapping to Hz |
| General - Preset | |||
| Mode | 34 | 0-2 | 0 or 1 = Simulation ; 2 = IR Loader |
| General | |||
| Out Level | 87 | 0-107 | 0 = -95dB ; 95 = 0dB ; 107 = 12dB |
| Mute | 88 | 0-1 | 0 = Off (no mute) ; 1 = On (mute) |
| Bypass | 89 | 0-1 | 0 = Bypass ; 1 = On |
| Preset | 90 | 0-127 | 0 = Preset #1 ; 1 = Preset #2… |
| Voicing | 91 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Space | 92 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
2. List of included cabinets
| Designation | Inspired by |
|---|---|
| GUITAR cabinets | |
| Angl Pro30 | Engl® 4×12 Celestion® Vintage 30 |
| Angl VintC | Engl® 4×12 |
| BdeLuxe | Fender® Blues Deluxe |
| Brit 65O | Marshall® 1965A 4×10 Celestion® G10L-35 open back |
| Brit VintC | Marshall® Slash Signature 4×12 with Celestion® V30 |
| Calif StdC | Mesa/Boogie® Rectifier® Standard 4×12 Celestion® V30 closed back |
| Eddie | Peavey® 5150 2×12 Sheffield 1200 |
| Eggbeater | Egnater® Tourmaster cabinet |
| FastBack | 4×12 cabinet with Celestion® Pre-Rola G12M Greenback |
| Forest | Elmwood® 2×12 cabinet with Celestion® V30 |
| Free Rock2 | VHT® Deliverance 2×12 Eminence® P50E |
| GreenArtC | Marshall® 4×12 for JMP Amplifier |
| GreenTri | Hughes&Kettner® Triamp 4×12 with Celestion® Greenback |
| Jazz120 | Vintage Roland® JC120 2×12” |
| JubilGreen | Marshall® 2556AV 2×12 Celestion® Greenback |
| Kerozen | Diezel® 4×12” Celestion® G12K-100 |
| RackHeroJP | Custom Audio Amplifier 2×12 with Celestion® G12T-75 |
| Rand NB412 | Randall® Signature Series 4×12 angled with Celestion® Greenback |
| SilverJen | Fender® Twin Reverb® 2×12 with Jensen® speakers |
| StrongBack | VHT® Fat Bottom series cabinet P50E speaker |
| Tanger 30C | PPC112HP© 1×12 Orange® with Celestion® Vintage 30 |
| The One | Brunetti® Neo1512 1×15” + 1×12” |
| Vibro V30 | Vintage 1961 Fender® Vibrolux® 1×12 Celestion® V30 |
| Voice 30 | Original Vox® AC30 JMI 2×12 Celestion® “Silver Bell” |
| Watt FanC | Hiwatt® 2×12 Fane closed back |
| XTCab | Bogner® 4×12” Celestion® V30 |
| BASS cabinets | |
| AluXL | Hartke® XL 4×10” |
| Bull Neo2 | 2×10“ cabinet |
| Fridge9 | Ampeg® 9×10” |
| Heaven Top | David Eden® 4×10 Markbass® 2×10 |
| Marco | Markbass® 2×10 |
| New York | Markbass® 4×6” |
3. List of Microphones
Each cabinet in the Two notes library comes with a choice of 8 perfectly matched microphones. The selection of microphones depends on the type and model of the cabinet and each had been carefully selected for maximum response and tonal quality.
Don’t be afraid to try the bass mics on your guitar tone and guitar mics on your bass tones!
| Designation | Inspired by |
|---|---|
| Dynamic 57 | Dynamic microphone Shure® SM57 |
| Dynamic 421 | Dynamic microphone Sennheiser® MD421 |
| Knightfall | Condenser microphone Blue® Dragonfly |
| Condenser 87 | Condenser microphone Neumann® U87 |
| Ribbon160 | Ribbon microphone Beyerdynamic® M160N |
| Ribbon121 | Ribbon microphone Royer® R121 |
| Bass 20 | Dynamic microphone Electrovoice® RE20 |
| Bass 52 | Dynamic microphone Shure® Beta52 |
4. Block diagram
5. Technical Data
| Designation | Characteristics |
|---|---|
| SPEAKER IN | 6.35mm (1/4 in) Jack unbalanced (TS, Tip/Sleeve) IN LEVEL switch affects input sensitivity High: 0 dB Low: -15 dB |
| SPEAKER OUT | 6.35mm (1/4 in) Jack unbalanced (TS) |
| LEFT/RIGHT OUTPUTS | XLR Balanced Maximum output level: 15 dBu. Impedance: 600 Ohms |
| PHONES | 6.35mm (1/4 in) Jack balanced TRS, Tip/Ring/sleeve) |
| MIDI Input | 1/8″ jack balanced TRS. Jack to MIDI cable adapter supplied. |
| USB | Micro USB B port. Micro USB-B to USB-A cable supplied. |
| ADC/DAC | Sampling frequency: 96 kHz Resolution: 24 bits |
| Frequency response | 30 Hz - 19 kHz |
| Min Latency | 2.2 ms (LINE IN to LINE OUT) |
| THD+N ratio | 0.03% (IN LEVEL 0dB, sine wave 1kHz 4dBu) |
| Signal to Noise Ratio | 95dB |
| Power supply | 100-240v AC / Output: 12V DC, 1A supplied. |
| Dimensions | 128 (w) x 175 (d) x 64 (h) mm Weight: 1.3 kg |
Technical support
Should you encounter a problem with your product or need help regarding any technical aspects, please note that Two notes Audio Engineering has developed on-line services to provide you with fast and efficient technical support, the Two notes Help Desk.
Don't hesitate to browse the Knowledgebase, which contains all sorts of useful information, or submit a ticket if you have any question or need assistance with a Two notes product.
1. Two notes Website
On the Two notes Audio Engineering website, you will find:
- news about the company and the products (news on the homepage),
- comprehensive information about the Torpedo Captor X and its many applications (FAQ),
- firmware and software updates to download (products/Torpedo Captor X/downloads),
- access to the Two notes Store where you can buy new cabinets,
- the Torpedo BlendIR software (products/Torpedo Captor X/downloads),
- an official forum where you can share tips and advice with other Torpedo users (forum).
The Two notes Team often visits specialized forums to help out users.
Social Media
Please follow us on Facebook, Instagram (@twonotesaudio) and Twitter (@twonotesaudio) for the latest updates and product news (we release new cabinets all the time). We love it when people share photos of their Two notes loaded rigs and we often share them - make sure you use the #mytwonotes hashtag to get our attention!
We also have a very useful community group on Facebook where we (and lots of our customers) like to hang out, procrastinate, share ideas and generally give each other GAS.
Please subscribe to our newsletter to get early warning of new products and releases before the general public!
2. E-mail
We do not offer technical support via e-mail. Please contact us via the Help Desk at the address above.






































