The complete electronic version of this manual, as well as the Two notes Audio Engineering software and hardware products, are subject to updates. You can download the most recent versions of the products on the Two notes Audio Engineering website.
This manual describes the Torpedo Captor X + and provides instructions for its operation. It is highly recommended that you read this document before using the product. The contents of this manual have been thoroughly verified and it is believed to accurately describe the product at the time of shipment from the factory or downloaded from our website.
Two notes Audio Engineering is a registered trademark of:
OROSYS SAS
76 rue de la Mine
34980 Saint-Gély-du-Fesc
France
Tel: +33 (0)484 250 910
Fax: +33 (0)467 595 703
Contact and support: http://support.two-notes.com
Website: http://www.two-notes.com
This document is the exclusive property of OROSYS SAS. In the interest of product development, OROSYS SAS reserves the right to change technical specifications, modify and/or cease production without prior notice. OROSYS SAS cannot be held responsible for any damage, accidental or otherwise, that results from an inappropriate use of the Torpedo Captor X +. Please refer to the safety instructions included in this manual. The reproduction of any part of this document is strictly forbidden without the written authorization of OROSYS SAS.
All product names and trademarks are the property of their respective owners. Product names and trademarks found in this document were used during the development of the Torpedo Captor X + product but are in no way associated or affiliated with OROSYS SAS.
Before using the product, it is necessary to carefully read and to bear in mind the following information. Keep this document in a safe place as it is important for the protection of both user and product. Should you suspect any malfunction of the device, always seek the assistance of a qualified technician.
Before connecting the unit, please ensure that the voltage required by the mains power adapter matches the voltage standard in your country. If it does not—or if you are uncertain—do not connect the unit to a wall outlet. Doing so may cause damage to the power adapter or the unit, and could result in personal injury.
Do not use this product during thunderstorms. In the event of lightning or severe weather, unplug the power adapter to reduce the risk of electric shock or fire.
The mains power adapter supplied with this product complies with the electrical standards of the country where it was purchased. If a replacement is required, use only a mains power adapter that meets the same local standards.
The Torpedo Captor X + must not be used near heat sources, open flames, in rain, in damp environments, or near any type of liquid. Ensure the unit is kept away from moisture at all times.
When transporting the unit, handle it with care to avoid physical shock or impact that could result in damage requiring inspection or repair by a qualified technician.
Always keep the unit dry to prevent electrical failure or permanent damage.
Always use a dry and soft cloth with no alcohol or solvents for cleaning. Please keep the unit clean and free from dust.
All maintenance and repair operations must be performed only by service centers authorized by OROSYS SAS. Do not attempt to repair or modify the unit yourself.
The shipped package contains:
The complete electronic version of this manual, as well as the Torpedo Remote software are subject to updates. You can download the most recent versions of this software on the Two notes Audio Engineering website.
Manufacturer: OROSYS SAS
Category of product: digital audio signal processor
Product: Torpedo Captor X
Test Manager: Guillaume Pille
The Two notes Torpedo Captor X is certified to be compliant to the CE and FCC standards:
OROSYS SAS warrants that this TWO NOTES AUDIO ENGINEERING product shall be free of defects in parts and workmanship when used under normal operating conditions for a period of two (2) years from the date of purchase. This warranty shall apply to the original purchaser when purchased from an Authorized TWO NOTES AUDIO ENGINEERING dealer.
IMPORTANT: PLEASE RETAIN YOUR SALES RECEIPT, AS IT IS YOUR PROOF OF PURCHASE COVERING YOUR LIMITED WARRANTY. THIS LIMITED WARRANTY IS VOID WITHOUT YOUR SALES RECEIPT.
Defective products that qualify for coverage under this warranty will be repaired or replaced, (at OROSYS SAS's sole discretion) with a like or comparable product, without charge. In the case that warranty service is required, Please contact your authorized TWO NOTES AUDIO ENGINEERING dealer in order to obtain a Return Merchandise Authorization (RMA) to return the complete product to the Authorized TWO NOTES AUDIO ENGINEERING Service Center closest to you, with proof of purchase, during the applicable warranty period.
Transportation costs to the service center ARE NOT INCLUDED in this limited warranty. OROSYS SAS will cover the cost of standard ground return transportation for repairs performed under this warranty.
This limited warranty becomes void if the serial number on the product is defaced or removed, or the product has been damaged by alteration, misuse including connection to faulty or unsuitable ancillary equipment, accident including lightning, water, fire, or neglect; or if repair has been attempted by persons not authorized by OROSYS SAS. Any implied warranties, including without limitation, any implied warranties of merchantability or fitness for any particular purpose, imposed under state or provincial law are limited to the duration of this limited warranty. Some states or provinces do not allow limitations on how long an implied warranty lasts, so the above limitations may not be applicable.
OROSYS SAS ASSUMES NO LIABILITY FOR PROPERTY DAMAGE RESULTING FROM ANY FAILURE OF THIS PRODUCT NOR ANY LOSS OF INCOME, SATISFACTION, OR DAMAGES ARISING FROM THE LOSS OF USE OF SAME DUE TO DEFECTS OR AVAILABILITY OF SAME DURING SERVICE.
In case you have to send your TWO NOTES AUDIO ENGINEERING product to any other location, it is of vital importance to retain the original packing materials. It is very difficult to avoid damage if shipping the product without these materials. OROSYS SAS is not responsible for damages to the product due to improper packaging and reserves the right to charge a reboxing fee for any unit returned for service without the original packing materials. THE FOREGOING CONSTITUTES THE ONLY WARRANTY MADE BY OROSYS SAS WITH RESPECT TO THE PRODUCTS AND IS MADE EXPRESSLY IN LIEU OF ALL OTHER WARRANTIES EXPRESSED OR IMPLIED
A load box is a device that safely replaces a speaker cabinet by providing an electrical load to your amplifier. Instead of producing sound, it converts the amplifier’s output power into heat.
The most important specification of a load box is its impedance, measured in Ohms (Ω). For example, an 8-Ohm load box must be connected to the 8-Ohm speaker output of the amplifier.
Because the power is dissipated as heat, adequate cooling and ventilation are essential. Overheating can damage both the load box and the amplifier.
When using a tube amplifier, you must always connect its speaker output to a load — either a speaker cabinet or a load box — before powering it on. Running a tube amp without a load can cause serious, even irreversible, damage to its output stage.
While many tube amplifiers include fuses or protection circuits, some do not provide sufficient protection. It’s impossible to predict how every amplifier will behave if powered on without a proper load.
The Torpedo Captor X + is a reactive load box, designed to safely replace a speaker cabinet while emulating the complex impedance of a real speaker. This ensures your amplifier operates and sounds as it should, even without a physical speaker connected.
The Torpedo Captor X + does not need to be powered on to function as a load. It safely absorbs the amplifier’s output and converts it into heat, preserving tone and protecting your gear.
To use the Torpedo Captor X + correctly and safely:
Using your amplifier with a load box requires some extra care. Because there’s no sound coming from a speaker cabinet, it’s easy to accidentally push the amplifier beyond its safe operating limits. Doing so can cause premature tube wear or, in extreme cases, serious damage to the amplifier.
When testing your amplifier at high volumes for the first time, watch the tubes and overall condition of the amp closely.
The sweet spot—where your amplifier delivers its best tone—is rarely at maximum volume. Most amplifiers sound harsh, compressed, or unpleasant when pushed to their absolute limits.
Keep in mind:
Running a tube amplifier at very high volume for extended periods can cause:
Remember: Even if your volume knob isn’t at maximum, your amplifier may already be running at full output. A reliable approach is to use the same volume levels you normally would during rehearsals or live performances, rather than relying on the knob position alone.
In Summary
The term “silent recording” is often used when describing load boxes — but in reality, the process is not completely silent. Compared to a traditional speaker cabinet and microphone setup, a load box setup is several orders of magnitude quieter, yet you may still notice a few minor sounds during use.
You will still hear the acoustic sound of your guitar or bass strings. This is perfectly normal, but in a quiet environment it can feel more noticeable, especially when monitoring through headphones.
You may hear a faint buzzing or humming coming from the Torpedo Captor X + itself. This is completely normal. The sound is produced by the reactive load’s internal coil as electrical current passes through it. The vibration varies with your playing dynamics and frequencies, meaning you’re actually hearing your amplifier’s power section working — often for the first time without a loudspeaker masking it.
Similarly, your amplifier’s output transformer can emit slight mechanical noise, which normally goes unnoticed when a speaker is connected.
The Torpedo Captor X + contains an internal fan to dissipate the heat generated by the load. Although we use a low-noise, high-speed fan, it is not completely silent. In normal operation, however — whether you’re listening through studio monitors or headphones — the fan noise is barely audible and should not interfere with recording or playing.
In Summary While the Torpedo Captor X + enables near-silent operation, a few residual mechanical sounds are inherent to the way amplifiers and reactive loads function. These are normal, harmless, and part of the authentic physical behavior of your gear.
Meet Captor X +, the next milestone in Two notes’ critically-acclaimed loadbox lineage. Featuring an all-new Virtual Load Shaper for sculpting a custom tonal response and a leading-edge True Stereo DynIR™ Engine to surgically position your mics or static IRs across the stereo field, Captor X + builds on the revolution Captor X started, pushing direct-to-PA and recording workflows to new levels of control and creativity.
Reactive load box. Tube amp attenuator. Cab sim. Static IR loader. Stereo expander. Studio-grade FX powerhouse. Whatever your rig demands, Captor X + delivers with uncompromising authenticity and player-focused versatility. From silent practice to stage-ready stereo immersion and precision-grade studio capture, Captor X + puts the full force of your tube amp under your command.
The Torpedo Captor X + is a fully standalone unit you can take anywhere — perfect for silent playing or when you want precise control over your cabinet’s output level.
Its purpose is to replace key elements of a traditional guitar or bass setup, including:
By combining these elements in one compact device, the Captor X + delivers a signal that faithfully replicates the sound of a professionally miked amp in a world-class studio.
By combining these elements in one compact device, the Captor X + delivers a signal that faithfully replicates the sound of a professionally miked amp in a world-class studio.
1- Monitor levels – The grille LED indicates input and output activity (with red illumination indicating clipping)
2- Control output volume – Adjust the headphone and XLR DI output level
3- Fine-tune your global tone – Adapt your sound to match your amp type and playing environment.
4- Add spatial depth – Enhance the stereo field of your headphone and XLR DI outputs with adjustable room ambience
5- Keep it cool – Ensure the vent remains clear to allow proper airflow and cooling
6- Headphone connection – Plug in for silent, immersive playing
7- Set input level – Adjust to prevent signal clipping and maintain optimal headroom
8- Quick preset switching – Instantly access your favorite saved presets with a single control
The Torpedo Captor X + rear panel offers all the essential connections and controls for studio, stage, and home use:
A- Power Input – Connect the supplied power adapter (use only the correctly rated power supply)
B- XLR DI Outputs – Send Stereo, Dual Mono, or Dry/Wet signals directly to your mixer, interface, or PA system
C- Ground Lift Switch – Eliminate unwanted hum caused by ground loops
D- Cooling Fan – Keep the vent area clear to ensure proper airflow and cooling
E- MIDI Input – Use the supplied ⅛” jack-to-MIDI adapter cable for external MIDI control
F- USB Port – Connect to your computer (Windows or macOS) for remote control via Torpedo Remote software. USB cable included
G- Speaker Output – Connect your speaker cabinet here using a ¼” SPEAKER cable
H- Cabinet Volume Level – Choose your cabinet’s output level:
I- Amplifier Input – Connect your amp’s speaker output here using a ¼” speaker cable (100W RMS max admissible power)
The following examples illustrate the most common ways to set up your Captor X + with the rest of your equipment.
The Torpedo Captor X + features several quick-access knobs designed for easy, on-the-fly adjustments.
For complete control over all parameters, use the [https://www.two-notes.com/en/torpedo-series/torpedo-remote/ | Torpedo Remote software] — available for Mac/PC (via USB connection) and mobile devices (iOS & Android, via wireless Bluetooth connection). The following sections explain how to connect the Torpedo Captor X + to Torpedo Remote using either a USB or a wireless connection.
Torpedo Remote is available as a desktop and mobile application, facilitating access to every editable parameter within Captor X +’s DSP architecture. Within Torpedo Remote you can:
Download the Torpedo Remote software from the Torpedo Captor X + product page. Choose the appropriate version in regards to your OS (Windows or macOS). Select the version that corresponds to your operating system (Windows or macOS).
After launching Torpedo Remote, you’ll be prompted to either register your unit to your Two notes account or continue as a Guest. We recommend registering your Torpedo Captor X + to access firmware updates, exclusive presets, and three additional cabinets.
When using Guest Mode, you can still operate the Torpedo Captor X +, but you cannot import cabinets from your personal Two notes license or remove cabinets from the device.
You can connect your mobile device to the Torpedo Captor X + via Bluetooth. Follow the steps below to establish the connection:
TROUBLESHOOTING:
If, after entering the PIN code, the Torpedo Captor X + does not appear in the Devices list within Torpedo Wireless Remote, follow these steps:
Important Considerations:
When designing your Presets, Captor X +’s Torpedo Remote software operates with two distinct environments: the “VIRTUAL CABINET” and “IR LOADER” modes.
Note: Both modes provide access to the same Post FX and share the same Output Routing configuration options (STEREO or DUAL/MONO) for the XLR outputs.
Within Captor X’s VIRTUAL CABINET Mode, a preset includes the following elements:
Important: To import or remove cabinets in the Torpedo Captor X +, your unit must be registered to your Two notes account via Torpedo Remote. You cannot import or remove cabinets when using Torpedo Remote in Guest Mode.
Important: Cabinet Management in Captor X + can only be actioned via the Desktop Variant of the Torpedo Remote Application using a wired USB connection
<Image Insert / Cabinet Manager>
Open the CABINET MANAGER tab to manage the Two notes Virtual Cabinets stored in your Captor X.
The Torpedo Captor X + ships with its internal memory fully loaded — 32 DynIR cabinets are preinstalled. To import a new cabinet from your computer, you must first free space by removing one or more cabinets from the right panel.
To import a cabinet, drag and drop it from the left panel to the right panel, or click the Load button to transfer it to the unit.
Within the CABINET MANAGER, you can also rearrange the order of the DynIR cabinets stored in your Captor X +. Simply select a cabinet and move it up or down the list to change its assigned slot.
In the VIRTUAL CABINET window, click on the blue screen or the arrow next to it to open the list of available cabinets. Next to the blue screen, you’ll find several filtering options to help refine your search:
Each Two notes Virtual Cabinet includes a dedicated collection of eight microphones, carefully matched to that specific cabinet. To access the microphone list, click the blue window located above the fader of the desired Mic Channel in the Microphone Mixer.
Microphones are categorized by type:
You can position the microphones freely within the highlighted trapezoid area, either in front of or behind the cabinet. Select MIC A or MIC B using the corresponding switch, then move the microphone by clicking and dragging (on a computer) or touching and dragging (on a mobile device) the mic or mic stand.
| You can position the microphones freely within the highlighted trapezoid area, either in front of or behind the cabinet. |
Select MIC A or MIC B using the corresponding switch, then move the microphone by clicking and dragging (on a computer) or touching and dragging (on a mobile device) the mic or mic stand.
Within the Microphone Mixer pane, use the following controls to adjust each microphone independently:
Within Captor X +’s IR LOADER Mode, a preset includes the following elements:
Important: To import or remove third-party IRs in the Torpedo Captor X +, the unit must be registered to your Two notes account via Torpedo Remote. You cannot import or remove IRs when using Torpedo Remote in Guest Mode.
To load an IR file into the Captor X’s internal memory, first open the IR MANAGER window in Torpedo Remote.
The Torpedo Captor X + can store up to 512 impulse responses (IRs). When you upload an IR to the Captor X +, you choose the IR length; Available memory depends on the IR length you select. The internal memory allows:
When transferring IRs, you can adjust several parameters to optimize Captor X +’s performance:
You can also use IRs stored directly on your computer’s hard drive without importing them into the Captor X +. When doing so, the unit operates in Preview Mode, which allows you to load one IR at a time (in the IR SLOT A only). Presets using a previewed IR can be saved on your computer, but not stored in the Captor X. To access the full functionality of the unit, import your IR files into the Captor X +’s internal memory.
Within the IR Mixer pane, use the following controls to adjust each Impulse Response independently:
The Torpedo Captor X + provides a range of powerful tools to refine and shape your tone before sending it to a public address (PA) system or audio interface. These tools are available in both the VIRTUAL CABINET and IR LOADER Modes
| The Noise Gate (GATE) is particularly useful when using a high-gain amplifier or vintage-style single-coil pickups, as it helps keep your signal quiet when you’re not playing. |
The THRESHOLD control determines the level at which the gate becomes active: *When your signal is above the THRESHOLD, the gate is open (signal passes through). *When your signal is below the THRESHOLD, the gate is closed (noise is reduced and the closed status indicated by the illuminated green LED adjacent to the CLOSED label).
The LEARN function automatically sets the optimal THRESHOLD level. To use it:
The EQ section offers three operating modes: Guitar, Bass, and Custom.
The EQ section allows you to fine-tune your tone across multiple frequency ranges. Each mode offers a different set of center frequencies optimized for its application.
| The ENHANCER combines dynamic processing and tone-shaping tools, specifically designed to optimize the sound of your guitar or bass. |
The GUITAR and BASS modes automatically adapt the ENHANCER’s internal processing to the specific frequency range and tonal response of your instrument — ensuring optimal clarity, balance, and punch for each application.
The DRY/WET control adjusts the balance between the cabinet simulation signal and the ENHANCER-processed signal:
The BODY parameter acts as a compressor with a high-pass filter, targeting the low-mid and higher frequencies to add fullness and presence. The high-pass filter cutoff differs by mode:
The THICKNESS and BRILLIANCE controls further refine the tone by emphasizing the low and high frequency ranges respectively:
In all output routing modes, the Torpedo Captor X + provides dedicated REVERB processing tailored to each configuration:
When using the Custom REVERB mode, you can adjust the following parameters:
The ROOM/AMBIENCE Switch allows you to change the acoustic profile of the reverb:
| In the DUAL/MONO output routing mode, the Torpedo Captor X + provides a dedicated Output EQ for each XLR output. |
The OUT EQ shares the same controls and behavior as the standard EQ module allowing you to fine-tune your tone across multiple frequency ranges. Each mode offers a different set of center frequencies optimized for its application.
The TWIN TRACKER offers two adjustable parameters:
Note: When enabled, the REVERB WIDTH parameter is automatically set to 100% for optimal stereo depth.
Use the PRESET MANAGER tab to manage the presets on your Torpedo Captor X +. The left panel displays the preset folders available on your computer, while the right panel shows the presets currently stored in the unit.
The Torpedo Captor X + offers multiple routing modes for its XLR outputs, which can be configured as either STEREO or DUAL/MONO. To change the routing mode, click the purple button located above the OUTPUT LEVEL knob.
In STEREO mode, both outputs deliver the DynIR Virtual Cabinet simulation (VIRTUAL CABINET Mode) or Dual Static Impulse Response (IR LOADER Mode) signal as configured in the Microphone Mixer / IR Mixer panels respectively, inclusive of all pan settings. In this mode, you also have access to the TWIN TRACKER, the Stereo ENHANCER and Captor X +’s Stereo REVERB Post FX.
Troubleshooting: * If only the right XLR output is connected and excessive latency occurs, check Torpedo Remote to confirm that STEREO routing with TWIN TRACKER is not enabled, and ensure that the TIGHTNESS parameter is not set to its maximum
In Captor X +’s STEREO Mode, the following SPACE Knob Assignments are available:
This routing mode allows each XLR output to carry an independent signal. There are two selectable DUAL/MONO behaviors selected via the MIC A/B Mixdown (VIRTUAL CABINET Mode) / IR A/B Mixdown (IR LOADER Mode) switch).
For parameter specific details for all MIC FX/IR FX and OUTPUT FX, please see 2.4 Shaping Your Tone in the VIRTUAL CABINET and IR LOADER Modes
In Captor X +’s DUAL/MONO Mode, the following Space Knob Assignments are available:
Activating the BYPASS button on the right output channel disables all Torpedo processing for that channel, sending the dry, unaffected amplifier signal directly to the right XLR output.
This configuration is ideal for recording, as it allows simultaneous capture of the full cabinet simulation from the Left XLR output and the unprocessed dry signal from the Right XLR output.
The VIRTUAL LOAD SHAPER introduces a powerful new way to refine Captor X +’s direct outputs. By applying carefully designed post-load impedance curves, it reshapes the tonal character of your amp’s signal after the load stage. The result is instant flexibility: add warmth, tighten lows, or highlight upper-mid bite, all tailored for your XLR and headphone feeds while your companion cabinet connection remains completely unaffected.
| | The VIRTUAL LOAD SHAPER is accessible from both the VIRTUAL CABINET and IR LOADER windows, and operates as a global parameter, with its settings applied across all presets on the Torpedo Captor X +. |
Within the VIRTUAL LOAD SHAPER, the following parameters are available to configure the processing engine:
The Torpedo Captor X + includes a red status LED within the illuminated grille that provides visual feedback for specific conditions: * Input or output stage clipping * Active file transfers between the unit and Torpedo Remote * System errors unrelated to the incoming audio signal
It is possible to overload either the input or output stages of the Torpedo Captor X +. When clipping occurs, the red LED will illuminate.
To determine where clipping is taking place:
Note: Input and output levels can also be monitored using the VU meters in Torpedo Remote.
When a file transfer is in progress between the Torpedo Captor X + and Torpedo Remote, the red LED functions as a progress indicator. It flashes in proportion to the percentage of data transferred, allowing verification that the process is proceeding normally and not stalled.
This occurs during the transfer of Virtual Cabinets, IR files, and Firmware Updates.
The red LED on the Torpedo Captor X + flashes when a firmware or system error is detected.
To distinguish a system error from input or output clipping:
Refer to the LED report guide here for instructions on interpreting the flash pattern. Once the LED sequence has been identified, please submit a support ticket through the Two notes Helpdesk including the transcribed LED report.
The SETUP MANAGER in Torpedo Remote provides access to the hardware configuration of the Torpedo Captor X +. This menu allows adjustment of key parameters such as:
It also displays important device information, including the serial number and firmware version.
The Torpedo Captor X + supports both Program Change (PC) and Control Change (CC) MIDI commands. This enables full interaction with the unit’s parameters from any standard MIDI controller, such as a MIDI pedalboard or keyboard. In the SETUP MANAGER, the following MIDI settings can be configured:
Note: Refer to Section Specifications / 1 MIDI for a detailed breakdown of all available Program Change and Control Change assignments.
The Audio Performance section displays the total system latency of the Torpedo Captor X +, measured from input to output. Even at the highest setting, latency remains extremely low and imperceptible during normal playing.
Note: When multiple digital devices are used in the same signal chain, their individual latencies can accumulate and become noticeable. In such cases, reducing the latency setting may improve overall system response.
Selectable Latency Values
Note: The factory default latency setting is 3.27 ms, corresponding to an IR length of 150 ms.
The Torpedo Captor X + supports the use of Two notes DynIR Virtual Cabinets, which can be previewed and managed through the Torpedo Remote (Desktop) software. When browsing cabinets in Remote, the list may appear larger than the number of cabinets currently owned or installed on the Captor X +. This is because all available DynIR cabinets can be previewed before purchase.
The DynIR Virtual Cabinet list displays three icon types, indicating the cabinet’s source:
When previewing a licensed cabinet stored on the computer, the Remote software must first load it before parameters can be adjusted. During preview, only one microphone is available for editing. Audio continues to pass through the Captor X +, allowing normal operation while previewing.
When previewing a cabinet not included in the user’s license, random silences are inserted, and only one microphone is available for use. This feature allows evaluation of the cabinet before purchase.
Note: For security reasons, no billing or payment information is stored within the Torpedo Remote software.
The effective impedance of the combined system—amplifier, Torpedo Captor X +, and connected speaker cabinet—that is, the impedance seen by the amplifier, varies depending on the position of the 3-position Cabinet Volume Level switch:
| Setup Scenario | Volume Level Setting | Impedance Seen by the Amplifier |
| Speaker cabinet connected to SPEAKER OUT | LOW or HALFWAY | Impedance of the Torpedo Captor X + |
| Speaker cabinet connected to SPEAKER OUT | FULL | Impedance of the speaker cabinet |
Throughout this manual, it is assumed that the amplifier’s output impedance matches the input impedance of the Torpedo Captor X + (for example, connecting an 8Ω amplifier output to an 8Ω Captor X +).
An impedance mismatch can occur in two common situations:
If operation with a mismatch is unavoidable, follow these precautions:
Solid-state amplifiers are designed differently from tube amplifiers. They typically specify a minimum load impedance rather than requiring an exact match. This means any speaker or load box with an impedance equal to or greater than the stated minimum can be used safely. For example, an amplifier rated at “8Ω minimum” can safely drive 8Ω or 16Ω loads.
At this point, the amplifier is connected only to the external device attached to the other end of that cable. |
The Torpedo Captor X + is supplied with a MIDI 5-pin DIN (Type A) to 3.5 mm (1/8”) TRS jack adapter cable. The wiring of this cable follows the MIDI Manufacturers Association (MMA) standard for the use of TRS connectors with MIDI devices.
Wiring configuration:
For complete specifications and technical details on the MMA TRS-MIDI standard, visit the MIDI Manufacturers Association website.
Each preset on the Torpedo Captor X + corresponds to a unique MIDI Program Change (PC) number. Preset 001 is triggered by MIDI PC #1, and so on up to MIDI PC #128, allowing direct access to all 128 available presets. This mapping enables instant recall of any preset by sending the corresponding MIDI Program Change command to Captor X +.
The following table lists the Control Change (CC) numbers assigned to each Captor X + parameter, along with their corresponding value ranges and response behaviors.
| < 100% 20% 10% 15% 55% > |
| Parameter | CC# | Range | Behavior |
|---|---|---|---|
| Simulation & IR Loader modes | |||
| Cab/mic | |||
| On/Off | 6 | 0-1 | 0 = Off ; 1 = On |
| Unused | 7 | 0-1 | 0 = Off ; 1 = On |
| Cab | 8 | 0-x | 0 = Cab #0 ; 1 = Cab #1… |
| File A | 9 | 0-x | 0 = File #0 ; 1 = File #1… |
| File B | 10 | 0-x | 0 = File #0 ; 1 = File #1… |
| Folder A | 11 | 0-3 | 0= User 0 ; 1= User1; 2 = User 2 ; 3 = User 3 |
| Folder B | 12 | 0-3 | 0= User 0 ; 1= User1; 2 = User 2 ; 3 = User 3 |
| Mic A | 13 | 0-7 | 0 = Mic #1 ; 1 = Mic #1… |
| Distance A | 14 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Center A | 15 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Position A | 16 | 0-1 | 0 = Back : 1 = Front |
| Level A | 35 | 0-107 | 0 = -95dB ; 95 = 0dB ; 107 = 12dB |
| Phase A | 36 | 0-1 | 0 = Normal ; 1 = Invert |
| Mute A | 37 | 0-1 | 0 = Off (no mute) ; 1 = On (mute) |
| Mic B | 38 | 0-7 | 0 = Mic #1 ; 1 = Mic #1… |
| Distance B | 39 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Center B | 40 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Position B | 41 | 0-1 | 0 = Back : 1 = Front |
| Level B | 42 | 0-107 | 0 = -95dB ; 95 = 0dB ; 107 = 12dB |
| Phase B | 43 | 0-1 | 0 = Normal ; 1 = Invert |
| Mute B | 44 | 0-1 | 0 = Off (no mute) ; 1 = On (mute) |
| Bypass A | 51 | 0-1 | 0 = Off (Mic on) ; 1 = On (Mic Bypass) |
| Bypass B | 52 | 0-1 | 0 = Off (Mic on) ; 1 = On (Mic Bypass) |
| EQ | |||
| On/Off | 17 | 0-1 | 0 = Off ; 1 = On |
| Mode | 18 | 0-2 | 0 = Guitar : 1 = Bass ; 2 = Custom |
| Gain: Low | 19 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Gain: Low Mid | 20 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Gain: Mid | 21 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Gain: High Mid | 22 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Gain: High | 23 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Freq: Low Cut | 45 | 0-127 | Specific mapping to Hz |
| Freq: Low | 46 | 0-127 | Specific mapping to Hz |
| Freq: Low Mid | 47 | 0-127 | Specific mapping to Hz |
| Freq: Mid | 48 | 0-127 | Specific mapping to Hz |
| Freq: High Mid | 49 | 0-127 | Specific mapping to Hz |
| Freq: High | 50 | 0-127 | Specific mapping to Hz |
| Level | |||
| Preset Level | 24 | 0-107 | 0 = -95dB ; 107 = +12dB |
| Preset Level R | 86 | 0-107 | 0 = -95dB ; 107 = +12dB |
| Reverb | |||
| On/Off | 25 | 0-1 | 0 = Off ; 1 = On |
| Preset | 26 | 0-7 | 0 = Room #0 ; 1 = Room #1… |
| Dry/Wet | 27 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Dry/Wet R | 72 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Size | 53 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Echo | 54 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Color | 55 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Type | 56 | 0-1 | 0 = Room ; 1= Ambience |
| Width | 57 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Noise Gate | |||
| On/Off | 58 | 0-1 | 0 = Off ; 1 = On |
| Mode | 59 | 0-1 | Soft = Off ; Hard = On |
| Threshold | 60 | 0-80 | 0 = -80dB ; 80 = 0dB |
| Enhancer | |||
| On/Off | 61 | 0-1 | 0 = Off ; 1 = On |
| Instrument | 62 | 0-1 | 0 = Guitar ; 1 = Bass |
| Body | 63 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Thickness | 64 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Brilliance | 65 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Dry/Wet | 66 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Twin Tracker | |||
| On/Off | 67 | 0-1 | 0 = Off ; 1 = On |
| Tightness | 68 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Balance | 69 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Output | |||
| Mode | 70 | 0-2 | 0 = Stereo ; 1 = Dual Mono ; 2 = Dual Mono, R Bypass) |
| Space Pot Assign | 71 | 0-1 | Stereo: 0 = Stereo Expander ; 1 = Dry/Wet Dual Mono: 0 = Dry/Wet ; 1 = Dry/Wet L ; 2 = Dry/Wet R Dual Mono, R Bypass: 0 = Dry/Wet |
| EQ R | |||
| On/Off | 73 | 0-1 | 0 = Off ; 1 = On |
| Mode | 74 | 0-2 | 0 = Guitar : 1 = Bass ; 2 = Custom |
| Gain: Low | 75 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Gain: Low Mid | 76 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Gain: Mid | 77 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Gain: High Mid | 78 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Gain: High | 79 | 0-40 | 0 = -20dB ; 20 = 0dB ; 40 = 20dB |
| Freq: Low Cut | 80 | 0-127 | Specific mapping to Hz |
| Freq: Low | 81 | 0-127 | Specific mapping to Hz |
| Freq: Low Mid | 82 | 0-127 | Specific mapping to Hz |
| Freq: Mid | 83 | 0-127 | Specific mapping to Hz |
| Freq: High Mid | 84 | 0-127 | Specific mapping to Hz |
| Freq: High | 85 | 0-127 | Specific mapping to Hz |
| General - Preset | |||
| Mode | 34 | 0-2 | 0 or 1 = Simulation ; 2 = IR Loader |
| General | |||
| Out Level | 87 | 0-107 | 0 = -95dB ; 95 = 0dB ; 107 = 12dB |
| Mute | 88 | 0-1 | 0 = Off (no mute) ; 1 = On (mute) |
| Bypass | 89 | 0-1 | 0 = Bypass ; 1 = On |
| Preset | 90 | 0-127 | 0 = Preset #1 ; 1 = Preset #2… |
| Voicing | 91 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
| Space | 92 | 0-127 | 0 = 0% ; 63 = 50% ; 127 = 100% |
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The following DynIR Virtual Cabinets are pre-installed on the Torpedo Captor X +:
| Designation | Inspired by |
|---|---|
| GUITAR cabinets | |
| Angl Pro30 | Engl® 4×12 Celestion® Vintage 30 |
| Angl VintC | Engl® 4×12 |
| BdeLuxe | Fender® Blues Deluxe |
| Brit 65O | Marshall® 1965A 4×10 Celestion® G10L-35 open back |
| Brit VintC | Marshall® Slash Signature 4×12 with Celestion® V30 |
| Calif StdC | Mesa/Boogie® Rectifier® Standard 4×12 Celestion® V30 closed back |
| Eddie | Peavey® 5150 2×12 Sheffield 1200 |
| Eggbeater | Egnater® Tourmaster cabinet |
| FastBack | 4×12 cabinet with Celestion® Pre-Rola G12M Greenback |
| Forest | Elmwood® 2×12 cabinet with Celestion® V30 |
| Free Rock2 | VHT® Deliverance 2×12 Eminence® P50E |
| GreenArtC | Marshall® 4×12 for JMP Amplifier |
| GreenTri | Hughes&Kettner® Triamp 4×12 with Celestion® Greenback |
| Jazz120 | Vintage Roland® JC120 2×12” |
| JubilGreen | Marshall® 2556AV 2×12 Celestion® Greenback |
| Kerozen | Diezel® 4×12” Celestion® G12K-100 |
| RackHeroJP | Custom Audio Amplifier 2×12 with Celestion® G12T-75 |
| Rand NB412 | Randall® Signature Series 4×12 angled with Celestion® Greenback |
| SilverJen | Fender® Twin Reverb® 2×12 with Jensen® speakers |
| StrongBack | VHT® Fat Bottom series cabinet P50E speaker |
| Tanger 30C | PPC112HP© 1×12 Orange® with Celestion® Vintage 30 |
| The One | Brunetti® Neo1512 1×15” + 1×12” |
| Vibro V30 | Vintage 1961 Fender® Vibrolux® 1×12 Celestion® V30 |
| Voice 30 | Original Vox® AC30 JMI 2×12 Celestion® “Silver Bell” |
| Watt FanC | Hiwatt® 2×12 Fane closed back |
| XTCab | Bogner® 4×12” Celestion® V30 |
| BASS cabinets | |
| AluXL | Hartke® XL 4×10” |
| Bull Neo2 | 2×10” cabinet |
| Fridge9 | Ampeg® 9×10” |
| Heaven Top | David Eden® 4×10 Markbass® 2×10 |
| Marco | Markbass® 2×10 |
| New York | Markbass® 4×6” |
The following DynIR Virtual Cabinets are granted to the first registered owner of the Torpedo Captor X + upon successful product registration:
The following DynIR Virtual Cabinets are unlocked when activating the complementary lifetime GENOME license bundled with the Torpedo Captor X +, following product registration:
Each DynIR Virtual Cabinet in the Two notes library includes a curated selection of eight microphones, each carefully matched to the cabinet’s type and character for optimal tonal response and realism. The available microphone options vary depending on the specific cabinet model and are chosen to deliver the best possible sonic balance and versatility.
Pro Tip: Experiment freely — bass microphones can add depth and weight to guitar tones, while guitar microphones can bring clarity and definition to bass tones.
| Designation | Inspired by |
|---|---|
| Dynamic 57 | Dynamic microphone Shure® SM57 |
| Dynamic 421 | Dynamic microphone Sennheiser® MD421 |
| Knightfall | Condenser microphone Blue® Dragonfly |
| Condenser 87 | Condenser microphone Neumann® U87 |
| Ribbon160 | Ribbon microphone Beyerdynamic® M160N |
| Ribbon121 | Ribbon microphone Royer® R121 |
| Bass 20 | Dynamic microphone Electrovoice® RE20 |
| Bass 52 | Dynamic microphone Shure® Beta52 |
| Designation | Characteristics |
|---|---|
| SPEAKER IN | 6.35mm (1/4 in) Jack unbalanced (TS, Tip/Sleeve) IN LEVEL switch affects input sensitivity High: 0 dB Low: -15 dB |
| SPEAKER OUT | 6.35mm (1/4 in) Jack unbalanced (TS) |
| LEFT/RIGHT OUTPUTS | XLR Balanced Maximum output level: 15 dBu. Impedance: 600 Ohms |
| PHONES | 6.35mm (1/4 in) Jack balanced TRS, Tip/Ring/sleeve) |
| MIDI Input | 1/8″ jack balanced TRS. Jack to MIDI cable adapter supplied. |
| USB | Micro USB B port. Micro USB-B to USB-A cable supplied. |
| ADC/DAC | Sampling frequency: 96 kHz Resolution: 24 bits |
| Frequency response | 30 Hz - 19 kHz |
| Min Latency | 2.2 ms (LINE IN to LINE OUT) |
| THD+N ratio | 0.03% (IN LEVEL 0dB, sine wave 1kHz 4dBu) |
| Signal to Noise Ratio | 95dB |
| Power supply | 100-240v AC / Output: 12V DC, 1A supplied. |
| Dimensions | 128 (w) x 175 (d) x 64 (h) mm Weight: 1.3 kg |
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