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torpedo_cab_m:torpedo_c.a.b._m_user_s_manual [2020/02/06 11:18]
dilan.hookoomsing
torpedo_cab_m:torpedo_c.a.b._m_user_s_manual [2020/02/19 14:58]
dilan.hookoomsing
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 ==== - The Torpedo technology, convolution and Impulse Responses ==== ==== - The Torpedo technology, convolution and Impulse Responses ====
  
-The impulse response (IR) of a system describes its behavior under the form of a very detailed filter. The convolution technique uses IRs to simulate the behavior of particular systems, such as reverbs, speakers, ​EQ…+The impulse response (IR) of a system describes its behavior under the form of a very detailed filter. The convolution technique uses IRs to simulate the behavior of particular systems, such as reverbs, speakers, ​EQ.
  
-It is the most accurate way to simulate sound signatures that are linear (i.e. without distortion) and timeinvariant ​(i.e. without modulation, compression, ​hysteresis…). It is particularly well suited for speaker miking simulation.+It is the most accurate way to simulate sound signatures that are linear (i.e. without distortion) and time-invariant ​(i.e. without modulation, compression, ​hysteresis). It is particularly well suited for speaker miking simulation.
  
-| **Two notes has developed a unique technology based on an adaptation of convolution techniques. Starting with a measure of a real cabinet + microphone setup, the Torpedo C.A.B. M can accurately reproduce the system as it was measured, including the microphone’s ​position in space by using IR synthesis.** |+| **Two notes has developed a unique technology based on an adaptation of convolution techniques. Starting with a measure of a real cabinet + microphone setup, the Torpedo C.A.B. M can accurately reproduce the system as it was measured, including the microphone'​s ​position in space by using IR synthesis.** |
  
 ==== - 3rd Party Impulse Responses ==== ==== - 3rd Party Impulse Responses ====
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 To create a lightweight rig with a pedalboard, place the Torpedo C.A.B. M on your pedalboard knowing that the best results are achieved by placing it before the time-based and modulation effects (chorus, delay, reverb…), which then become brighter and clearer. This position also allows to take advantage of the possible stereo of these effects. This is similar to the way things are done in the studio, where modulations are often applied to guitar and bass tracks after recording. To create a lightweight rig with a pedalboard, place the Torpedo C.A.B. M on your pedalboard knowing that the best results are achieved by placing it before the time-based and modulation effects (chorus, delay, reverb…), which then become brighter and clearer. This position also allows to take advantage of the possible stereo of these effects. This is similar to the way things are done in the studio, where modulations are often applied to guitar and bass tracks after recording.
  
-To use the Torpedo C.A.B. M as an amp DI, place it after the power amp section of your amp by connecting the speaker output of the your amp to the Amp Input of the C.A.B. M , and connecting your cabinet to the Speaker Output of the pedal. (DISCLAIMER:​ The Torpedo C.A.B. M is not a load box).  Using the C.A.B. M this way ensures you to send your exact full guitar tone to the PA or an audio interface to have the same quality studio-grade sound every single time you play.+To use the Torpedo C.A.B. M as an amp DI, place it after the power amp section of your amp by connecting the speaker output of the your amp to the Amp Input of the C.A.B. M, and connecting your cabinet to the Speaker Output of the pedal. (DISCLAIMER:​ The Torpedo C.A.B. M is not a load box).  Using the C.A.B. M this way ensures you to send your exact full guitar tone to the PA or an audio interface to have the same quality studio-grade sound every single time you play.
  
-The Torpedo C.A.B. M can also be used after a load box connected to your amplifier in place of the speaker cabinet (such as the [[https://​www.two-notes.com/​torpedo-captor|Torpedo Captor]]). Simply connect the line output of the load box to the Line Input of the C.A.B. M. This will provide a silent playing rig, where you can take fully advantage of your amplifier'​s tone, without having to deal with sound level issues.+The Torpedo C.A.B. M can also be used after a load box connected to your amplifier in place of the speaker cabinet (such as the [[https://​www.two-notes.com/​torpedo-captor|Torpedo Captor]]). Simply connect the line output of the load box to the Line Input of the C.A.B. M. This will provide a silent playing rig, where you can take full advantage of your amplifier'​s tone, without having to deal with sound level issues.
  
 \\ \\
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 To create a lightweight rig with a pedalboard, place the Torpedo C.A.B. M on your pedalboard knowing that the best results are achieved by placing it before the time-based and modulation effects (chorus, delay, reverb…), which then become brighter and clearer. This position also allows to take advantage of the possible stereo of these effects. This is similar to the way things are done in the studio, where modulations are often applied to guitar and bass tracks after recording. To create a lightweight rig with a pedalboard, place the Torpedo C.A.B. M on your pedalboard knowing that the best results are achieved by placing it before the time-based and modulation effects (chorus, delay, reverb…), which then become brighter and clearer. This position also allows to take advantage of the possible stereo of these effects. This is similar to the way things are done in the studio, where modulations are often applied to guitar and bass tracks after recording.
  
-With this amp-less setup, we recommend ​to turn the Power Amp section (see section 4.3.1 for all the details about the Power Amp section) of the C.A.B. M so that the combination of your pedalboard and the emulated power-amp simulates a complete amp rig.+With this amp-less setup, we recommend ​turning ​the Power Amp section (see section 4.3.1 for all the details about the Power Amp section) of the C.A.B. M so that the combination of your pedalboard and the emulated power-amp simulates a complete amp rig.
  
 |< 100% 10% 80% >|  |< 100% 10% 80% >| 
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 {{ :​torpedo_cab_m:​schema_CABM_loadbox.jpg?​600 }} {{ :​torpedo_cab_m:​schema_CABM_loadbox.jpg?​600 }}
-Connect the speaker output of the amp to the AMP IN of the C.A.B. M, then connect the SPEAKER OUT of the pedal to  the amp/speaker input of a load box(depending of the load box you will use, the input is either described Amp input or Speaker input) of a load box (such as the [[https://​www.two-notes.com/​fr/​torpedo-captor|Torpedo Captor]]).Depending ​of the load box you will use, the input is either described Amp input or Speaker input. The SPEAKER OUT of C.A.B. M is an uncompensated output (meaning without any kind of filter/​analog speaker simulation, a dry output). ​+Connect the speaker output of the amp to the AMP IN of the C.A.B. M, then connect the SPEAKER OUT of the pedal to the amp/speaker input of a load box(depending of the load box you will use, the input is either described Amp input or Speaker input) of a load box (such as the [[https://​www.two-notes.com/​fr/​torpedo-captor|Torpedo Captor]]).Depending ​on the load box you will use, the input is either described Amp input or Speaker input. The SPEAKER OUT of C.A.B. M is an uncompensated output (meaning without any kind of filter/​analog speaker simulation, a dry output). ​
  
 It is also possible to plug the load box before the C.A.B. M this way:  It is also possible to plug the load box before the C.A.B. M this way: 
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 ===== - The Torpedo C.A.B. M interface ===== ===== - The Torpedo C.A.B. M interface =====
  
-The Torpedo C.A.B. M is organised ​around 2 environments : PERFORM and MENU accessible with the 2 encoders on the front panel (which are also push-buttons) as seen in [[http://​wiki.two-notes.com/​doku.php?​id=torpedo_cab_m:​torpedo_c.a.b._m_user_s_manual#​cab_m_overview|figure 2.2]].+The Torpedo C.A.B. M is organized ​around 2 environments:​ PERFORM and MENU accessible with the 2 encoders on the front panel (which are also push-buttons) as seen in [[http://​wiki.two-notes.com/​doku.php?​id=torpedo_cab_m:​torpedo_c.a.b._m_user_s_manual#​cab_m_overview|figure 2.2]].
  
 When pushing a button or turning an encoder, you will see a parameter moving on the display. When pushing a button or turning an encoder, you will see a parameter moving on the display.
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 5. Output level (from Mute to +12dB) ​ 5. Output level (from Mute to +12dB) ​
  
-In this menu you can navigate in the presets and set the output volume of the unit. You will be in this menu when playing without editing or modifying any parameter. This way you can have fast access to the volume in case you have to quickly lower or increase the volume in any situation.+In this menuyou can navigate in the presets and set the output volume of the unit. You will be in this menu when playing without editing or modifying any parameter. This way you can have fast access to the volume in case you have to quickly lower or increase the volume in any situation.
  
 We recommend first to search for a preset close to the sound you have in mind, then tweak the selected. We recommend first to search for a preset close to the sound you have in mind, then tweak the selected.
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   * pressing on the right (ENTER) encoder makes you go into the selected section or toggle the selected parameter   * pressing on the right (ENTER) encoder makes you go into the selected section or toggle the selected parameter
  
-All starts ​with the first section, which allows you to chose which mode you will be working in : Arcade, Simulation or IR Loader.+All start with the first section, which allows you to choose ​which mode you will be working in: Arcade, Simulation or IR Loader.
  
 {{ :​torpedo_cab_m:​cab_m_interface_2.jpg?​400 }}  {{ :​torpedo_cab_m:​cab_m_interface_2.jpg?​400 }} 
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 To enter any section and edit the related parameters, scroll to the relevant section by turning the PARAM encoder and press ENTER to enter. Some sections can be modified directly without entering it, by turning the VALUE encoder. For most of them, this means turning it ON or OFF (the image will then appear in negative mode). To enter any section and edit the related parameters, scroll to the relevant section by turning the PARAM encoder and press ENTER to enter. Some sections can be modified directly without entering it, by turning the VALUE encoder. For most of them, this means turning it ON or OFF (the image will then appear in negative mode).
  
-Depending ​of the mode, the editable sections change. We will go through the sections for each mode.+Depending ​on the mode, the editable sections change. We will go through the sections for each mode.
  
 ==== - Arcade mode ==== ==== - Arcade mode ====
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 In the simplified interface of the Arcade mode, each parameter actually controls one or several parameters of the device. In the simplified interface of the Arcade mode, each parameter actually controls one or several parameters of the device.
  
-The interface of the Arcade mode has 3 specific sections, ​detailled ​hereunder.+The interface of the Arcade mode has 3 specific sections, ​detailed ​hereunder.
  
 <WRAP group> <WRAP group>
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 <WRAP half column> <WRAP half column>
-**Power amp**: In Guitar mode we selected an EL34 Pentode PP power amp and a 6L6 Pentode PP power amp for Bass. Presence and Depth are fixed at 100%. The Power amp parameter ​determine ​the amp master volume, from Cold to Hot. it can also be turned OFF. +**Power amp**: In Guitar modewe selected an EL34 Pentode PP power amp and a 6L6 Pentode PP power amp for Bass. Presence and Depth are fixed at 100%. The Power amp parameter ​determines ​the amp master volume, from Cold to Hot. it can also be turned OFF. 
 </​WRAP>​ </​WRAP>​
 </​WRAP>​ </​WRAP>​
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 <WRAP half column> <WRAP half column>
-**Contour**:​ EQ settings based on a loudness algorithm. Vintage will cut low and high frequencies while Modern will emphasize them. The EQ parameters ​depends ​on the Guitar/Bass setting. ​+**Contour**:​ EQ settings based on a loudness algorithm. Vintage will cut low and high frequencies while Modern will emphasize them. The EQ parameters ​depend ​on the Guitar/Bass setting. ​
 </​WRAP>​ </​WRAP>​
 </​WRAP>​ </​WRAP>​
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 ==== - Simulation ==== ==== - Simulation ====
  
-The Simulation mode gives you access to every parameters ​available to create a preset.+The Simulation mode gives you access to every parameter ​available to create a preset.
  
-The interface of the Simulation mode has 4 specific sections, ​detailled ​hereunder.+The interface of the Simulation mode has 4 specific sections, ​detailed ​hereunder.
  
 <WRAP group> <WRAP group>
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 <WRAP half column> <WRAP half column>
-The next window is where you set levels, mute and phase for each microphone. \\ Note: all the microphone ​in all the Two notes Virtual Cabinets are already captured in phase with each others, so the Phase parameter is not needed to correct the relative phase of the two microphones. This parameter can rather be used to get a specific out-of-phase effector correct the phase between the C.A.B. M microphones and an external signal.+The next window is where you set levels, muteand phase for each microphone. \\ Note: all the microphones ​in all the Two notes Virtual Cabinets are already captured in phase with each other, so the Phase parameter is not needed to correct the relative phase of the two microphones. This parameter can rather be used to get a specific out-of-phase effect or correct the phase between the C.A.B. M microphones and an external signal.
 </​WRAP>​ </​WRAP>​
 </​WRAP>​ </​WRAP>​
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 <WRAP half column> <WRAP half column>
-The following window shows you how the mics are placed in regards ​of the cabinet, and this part will let you do the mic placement for each microphone with the following sequence of parameters.+The following window shows you how the mics are placed in regards ​to the cabinet, and this part will let you do the mic placement for each microphone with the following sequence of parameters.
 </​WRAP>​ </​WRAP>​
 </​WRAP>​ </​WRAP>​
  
-  * Axis : You will set the placement of the mic towards the cone of the cabinet'​s speaker. At 0% the mic is placed at the center of the speaker, at 100% the mic is placed either at the edge of the speaker (when the mic is at the grill cloth), or up to 1 meter (3 feet) away from the center (when the mic is at the furthest distance of the cabinet). +  * Axis: You will set the placement of the mic towards the cone of the cabinet'​s speaker. At 0% the mic is placed at the center of the speaker, at 100% the mic is placed either at the edge of the speaker (when the mic is at the grill cloth), or up to 1 meter (3 feet) away from the center (when the mic is at the furthest distance of the cabinet). 
-  * Dist : You will set the distance of the mic towards the cabinet. At 0% the microphone is placed at the grid cloth of the cabinet. At 100% the mic is placed at 3 meters (10 feet) from the cabinet. +  * Dist: You will set the distance of the mic towards the cabinet. At 0% the microphone is placed at the grid cloth of the cabinet. At 100% the mic is placed at 3 meters (10 feet) from the cabinet. 
-  * Side : You will place the mic at the Front or at the Back of the cabinet.+  * Side: You will place the mic at the Front or at the Back of the cabinet.
  
 === - EQ === === - EQ ===
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 === - Reverb === === - Reverb ===
  
-To enhance ​you experience with the Torpedo C.A.B. M, especially when playing with headphones, your unit features different reverbs.+To enhance ​your experience with the Torpedo C.A.B. M, especially when playing with headphones, your unit features different reverbs.
  
 <WRAP group> <WRAP group>
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 <WRAP half column> <WRAP half column>
-**Room**: The room type determines the type of reverb you will apply to your guitar or bass tone. You have access to 8 different environments:​ Studio A & B, Hall A & B, Cathedral, Crypt, Basement and Loft. \\ +**Room**: The room type determines the type of reverb you will apply to your guitar or bass tone. You have access to 8 different environments:​ Studio A & B, Hall A & B, Cathedral, Crypt, Basementand Loft. \\ 
-**Dry/​Wet**:​ Determines the amount of reverb to be applied to you tone.+**Dry/​Wet**:​ Determines the amount of reverb to be applied to your tone.
 </​WRAP>​ </​WRAP>​
 </​WRAP>​ </​WRAP>​
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 <WRAP half column> <WRAP half column>
-You have access to the Folder where you will then select an IR. First you choose your folder where you will be browsing the IRs you need. Then the IR file you will use. USER 0, 1, 2 and 3 are the location of the interal ​memory of the pedal. Memory Card is the location of the IRs stored on the memory card. FILE shows the IR currently selected. To change it, use the VOLUME/​VALUE knob. Go to section 4.5.3.2 for full description of the memory card use.+You have access to the Folder where you will then select an IR. Firstyou choose your folder where you will be browsing the IRs you need. Then the IR file you will use. USER 0, 1, 2 and 3 are the location of the internal ​memory of the pedal. Memory Card is the location of the IRs stored on the memory card. FILE shows the IR currently selected. To change it, use the VOLUME/​VALUE knob. Go to section 4.5.3.2 for full description of the memory card use.
 </​WRAP>​ </​WRAP>​
 </​WRAP>​ </​WRAP>​
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 <WRAP half column> <WRAP half column>
-First you rename the preset by scrolling the characters. ​+Firstyou rename the preset by scrolling the characters. ​
 </​WRAP>​ </​WRAP>​
 </​WRAP>​ </​WRAP>​
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 <WRAP half column> <WRAP half column>
-Here you will have access to parameters that concerns the aux input, the display, the memory,​etc. ​+Here you will have access to parameters that concerns the aux input, the display, the memory, etc. 
 </​WRAP>​ </​WRAP>​
 </​WRAP>​ </​WRAP>​
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 <WRAP half column> <WRAP half column>
-This setting combines the resolution of the third party IRs you are using and the latency it generates. If you choose a low latency setting, your IRs will be truncated at 40ms. Selecting a higher resolution for the IRs (up to 200 ms) will result in more latency.+This setting combines the resolution of the third-party IRs you are using and the latency it generates. If you choose a low latency setting, your IRs will be truncated at 40ms. Selecting a higher resolution for the IRs (up to 200 ms) will result in more latency.
 \\ \\
 The indicated latency is the actual latency of the whole device, measured from the input to the output. Even at the highest setting, the latency is low enough not to be noticed when playing. However, latencies add up when using several digital products, which can lead to a point where it becomes noticeable. In that case, lowering this setting can prove useful. The indicated latency is the actual latency of the whole device, measured from the input to the output. Even at the highest setting, the latency is low enough not to be noticed when playing. However, latencies add up when using several digital products, which can lead to a point where it becomes noticeable. In that case, lowering this setting can prove useful.
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 <WRAP half column> <WRAP half column>
-The Torpedo C.A.B. M comes with a memory card of 256 MB to have access to more third party IRs in the IR loader mode. Here you can browse the IRs you have loaded on the memory card (only 48KHz .wav files are displayed). If you need to load other formats of IR files, please read below on how to do so using Torpedo Remote.+The Torpedo C.A.B. M comes with a memory card of 256 MB to have access to more third-party IRs in the IR loader mode. Here you can browse the IRs you have loaded on the memory card (only 48KHz .wav files are displayed). If you need to load other formats of IR files, please read below on how to do so using Torpedo Remote.
 </​WRAP>​ </​WRAP>​
 </​WRAP>​ </​WRAP>​
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 <WRAP half column> <WRAP half column>
-The OLED technology used in the screen of the Torpedo C.A.B. M allows for better display with higher resolution graphics. This technology is however known to be sensitive to a burn-in phenomenonwhen continuously displaying the same graphics. To avoid this issue, we implemented a set of screensaver options. We recommend you use them to increase the lifespan of the display screen.+The OLED technology used in the screen of the Torpedo C.A.B. M allows for better display with higher resolution graphics. This technology is however known to be sensitive to a burn-in phenomenon when continuously displaying the same graphics. To avoid this issue, we implemented a set of screensaver options. We recommend you use them to increase the lifespan of the display screen.
 \\ \\
 You can choose between an animation, a dim of the display, or the screen going into sleep mode (turns off) after a delay period you set from 1 to 60 seconds. ​ You can choose between an animation, a dim of the display, or the screen going into sleep mode (turns off) after a delay period you set from 1 to 60 seconds. ​
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 <WRAP half column> <WRAP half column>
-This menu indicates whether you are connected to the Remote or notand if you are connected to the C.A.B. M by USB or by Bluetooth (BLE). This can be used to troubleshoot communication issues with the Remote and Wireless Remote softwares.+This menu indicates whether you are connected to the Remote or not and if you are connected to the C.A.B. M by USB or by Bluetooth (BLE). This can be used to troubleshoot communication issues with the Remote and Wireless Remote softwares.
 </​WRAP>​ </​WRAP>​
 </​WRAP>​ </​WRAP>​
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 ==== - Which cabinet is the right one for me? ==== ==== - Which cabinet is the right one for me? ====
  
-The Torpedo C.A.B. M comes with 32 cabinets, for bass and guitar. Among these cabinets you will find some that you know, others that you should know, and maybe the hidden gem that will work for you and you had no idea. To work faster, you should make sure the EQ, reverb and anything apart the cabinet and microphones are turned off so you can concentrate on that part of the process.+The Torpedo C.A.B. M comes with 32 cabinets, for bass and guitar. Among these cabinets you will find some that you know, others that you should know, and maybe the hidden gem that will work for you and you had no idea. To work faster, you should make sure the EQ, reverb and anything apart from the cabinet and microphones are turned off so you can concentrate on that part of the process.
  
-Please try the cabinets without too much preconceived idea about what you think you need. Often, the solution comes from a cabinet you wouldn’t ​think of. As a general guide, we recommend using small sized cabinets for more mids and high frequency, they are good for solos and clean tones. Use the big boys on distorted and/or or rhythm guitars.+Please try the cabinets without too much preconceived idea about what you think you need. Often, the solution comes from a cabinet you wouldn'​t ​think of. As a general guide, we recommend using small-sized cabinets for more mids and high frequency, they are good for solos and clean tones. Use the big boys on distorted and/or rhythm guitars.
  
 ==== - Which microphone is the right one for that cabinet? ==== ==== - Which microphone is the right one for that cabinet? ====
  
-You will find a selection of 3 types of microphones with each Two notes cabinet: condenser, ribbon and dynamic. The microphone technology gives an idea on how it will sound, even if, with each technology, you could find microphones that are not sounding as you might expect.+You will find a selection of 3 types of microphones with each Two notes cabinet: condenser, ribbon and dynamic. The microphone technology gives an idea of how it will sound, even if, with each technology, you could find microphones that are not sounding as you might expect.
  
   * With the Torpedo C.A.B. M, you will choose a ribbon microphone if you need a smooth, creamy tone. They are perfect when the guitar or the bass is in a light mix (meaning without tons of other instruments or distortion). We always recommend that type of microphone for the guitarist or bassist who is approaching miking techniques for the first time, they will sound very close to what you hear on your traditional guitar or bass cabinet. ​   * With the Torpedo C.A.B. M, you will choose a ribbon microphone if you need a smooth, creamy tone. They are perfect when the guitar or the bass is in a light mix (meaning without tons of other instruments or distortion). We always recommend that type of microphone for the guitarist or bassist who is approaching miking techniques for the first time, they will sound very close to what you hear on your traditional guitar or bass cabinet. ​
  
-  * Condenser microphone usually ​give wide bandwidth and great details in the upper frequency. Very good on bright clean tones, they also excel at helping fit a distorted guitar in a mix. +  * Condenser microphone usually ​gives wide bandwidth and great details in the upper frequency. Very good on bright clean tones, they also excel at helping fit a distorted guitar in a mix. 
  
   * Dynamic microphones are what you usually find on stage because they are sturdy and reliable. They usually give good detail in the mids, but they are not as subtle as ribbon or condenser microphones. ​   * Dynamic microphones are what you usually find on stage because they are sturdy and reliable. They usually give good detail in the mids, but they are not as subtle as ribbon or condenser microphones. ​
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 ==== - Two notes cabinets ==== ==== - Two notes cabinets ====
  
-You can preview any cabinets that are not in your licence ​when using the Remote. This is why when you browse the cabinets in the Remote the list is way bigger than what you have in your licence ​or in your Torpedo C.A.B. M.+You can preview any cabinets that are not in your license ​when using the Remote. This is why when you browse the cabinets in the Remote the list is way bigger than what you have in your license ​or in your Torpedo C.A.B. M.
 \\ \\
 {{ :​torpedo_cab_m:​torpedo_cabm_interface_6.jpg }} {{ :​torpedo_cab_m:​torpedo_cabm_interface_6.jpg }}
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 | {{ :​torpedo_cab_m:​torpedo_cabm_interface_icon3.jpg }} | Cabinets which you do not own but can preview before buying them on the Two notes Store. | | {{ :​torpedo_cab_m:​torpedo_cabm_interface_icon3.jpg }} | Cabinets which you do not own but can preview before buying them on the Two notes Store. |
  
-\\ When you are previewing a cabinet that is on your computer (which means that you own it and it is in your license stored in your computer), the Remote needs to load the cabinet first so you can edit all the parameters. As you are previewing, you will only have access to one microphone for the cabinet. Audio is still going through normally through the pedal, so you can use the C.A.B. M like you would normally.+\\ When you are previewing a cabinet that is on your computer (which means that you own it and it is in your license stored in your computer), the Remote needs to load the cabinet first so you can edit all the parameters. As you are previewing, you will only have access to one microphone for the cabinet. Audio is still going through normally through the pedal, so you can use the C.A.B. M as you would normally.
  
 <WRAP group> <WRAP group>
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 <WRAP group> <WRAP group>
 <WRAP half column> <WRAP half column>
-This operation can be repeated for any cabinets, and when you want to finalise ​the cart and buy the cabinets you want, you click on the trolley with the green tick and you will be taken to the online Two notes Store. The trolley with the minus sign allows you to remove the current cabinet from the cart :+This operation can be repeated for any cabinets, and when you want to finalize ​the cart and buy the cabinets you want, you click on the trolley with the green tick and you will be taken to the online Two notes Store. The trolley with the minus sign allows you to remove the current cabinet from the cart :
 </​WRAP>​ </​WRAP>​
 <WRAP half column> <WRAP half column>
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-**Note: with 3rd-party files you do not have access to microphone positioning parameters.**+**Note: with 3rd-party filesyou do not have access to microphone positioning parameters.**
  
 === - With the memory card === === - With the memory card ===
  
 If you wish to have more IRs than the 32 slots of the internal memory, use the memory card. The memory card is not seen by Torpedo Remote and is only accessible through the pedal itself. If you wish to have more IRs than the 32 slots of the internal memory, use the memory card. The memory card is not seen by Torpedo Remote and is only accessible through the pedal itself.
-First the memory card has to be mounted. (See Section 4.3.6.4  Memory card mount above in the manual.)+Firstthe memory card has to be mounted. (See Section 4.3.6.4  Memory card mount above in the manual.)
 To mount the card, you need to go into the Menu-> Global section, and scroll to "​Memory Card Mount"​. Press ENTER to mount the card, connect the Torpedo C.A.B. M to the computer. The pedal will then be seen as a regular mass storage device (like a USB dongle). To mount the card, you need to go into the Menu-> Global section, and scroll to "​Memory Card Mount"​. Press ENTER to mount the card, connect the Torpedo C.A.B. M to the computer. The pedal will then be seen as a regular mass storage device (like a USB dongle).
 Copy and paste the IR files you wish to have on the memory card (like a usual copy-paste in your computer from one folder to another). Unmount the memory card by pressing ENTER on the Torpedo C.A.B. M. Copy and paste the IR files you wish to have on the memory card (like a usual copy-paste in your computer from one folder to another). Unmount the memory card by pressing ENTER on the Torpedo C.A.B. M.
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 ===== - List of Microphones ===== ===== - List of Microphones =====
  
-Each cabinet in the Two notes library comes with a choice of 8 microphones. The selection of microphones depends on the type and model of cabinet. In other words, some microphones in the following list will not necessarily available with the cabinet you selected.+Each cabinet in the Two notes library comes with a choice of 8 microphones. The selection of microphones depends on the type and model of the cabinet. In other words, some microphones in the following list will not necessarily available with the cabinet you selected.
  
 ^ Designation ^ Inspired by | ^ Designation ^ Inspired by |
 | Dynamic 57 | Dynamic microphone Shure® SM57 | | Dynamic 57 | Dynamic microphone Shure® SM57 |
 +| Dynamic 58 | Dynamic microphone Shure® SM58 |
 +| Dynamic 7b | Dynamic microphone Shure® SM7B |
 +| Dynamic 80 | Dynamic microphone Telefunken® M80 |
 +| Dynamic 81 | Dynamic microphone Telefunken® M81 |
 | Dynamic 421 | Dynamic microphone Sennheiser® MD421 | | Dynamic 421 | Dynamic microphone Sennheiser® MD421 |
-Knightfall ​| Condenser microphone ​Blue® Dragonfly ​|+Dynamic 906 | Dynamic microphone AKG® D112 | 
 +| Dynamic D6 | Dynamic microphone Audix® D6 | 
 +| Dynamic I5 | Dynamic microphone Audix® I5 | 
 +| Dynamic Bass88 | Dynamic microphone BeyerDynamic® M88 | 
 +| Dynamic TG201 | Dynamic microphone BeyerDynamic® M201TG | 
 +| Dynamic TG12 | Dynamic microphone TUL G12| 
 +| Bass 20 | Dynamic microphone Electrovoice® RE20 | 
 +| Dynamic LowKick | Dynamic microphone Subkick Yamaha® | 
 +| Ribbon 160 | Ribbon microphone Beyerdynamic® M160N | 
 +| Ribbon 121 | Ribbon microphone Royer® R121 | 
 +| Ribbon 101 | Ribbon microphone Royer® R101 | 
 +| Ribbon 4038 | Ribbon microphone Coles® 4038 | 
 +| Ribbon 1R | Ribbon microphone sE Electronics® 1R | 
 +| Ribbon 92 | Ribbon microphone AEA® R92 | 
 +| Condenser 184 | Condenser microphone Neumann® KM184 | 
 +| Condenser 201 | Condenser microphone Mojave Audio MA-201 FET | 
 +| Condenser 840 | Condenser microphone Beyerdynamic® Beta52 | 
 +| Condenser BLX414 | Condenser microphone AKG® C414 B-XLS | 
 +| Condenser BTL414 ​| Condenser microphone ​AKG® C414 B-TL II |
 | Condenser 87 | Condenser microphone Neumann® U87 | | Condenser 87 | Condenser microphone Neumann® U87 |
-Ribbon160 ​Ribbon ​microphone ​Beyerdynamic® M160N +Condenser Fet 47 Condenser ​microphone ​Neumann® U47 FET
-Ribbon121 ​Ribbon ​microphone ​Royer® R121 +Condenser Tube 47 Condenser ​microphone ​Neumann® U47 Tube
-Bass 20 Dynamic microphonee Electrovoice® RE20 +Condenser Gem II Condenser microphone sE Electronics® Gemini II 
-Bass 52 Dynamic ​microphone ​Shure® Beta52 ​|+Knightfall ​Condenser ​microphone ​Blue® Dragonfly ​| 
 + 
  
 ===== - Block diagram ===== ===== - Block diagram =====
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 Should you encounter a problem with your product or need help regarding any technical aspects, please note that Two notes Audio Engineering has developed on-line services to provide you with fast and efficient technical support, the [[http://​support.two-notes.com/​|Two notes Help Desk]]. Should you encounter a problem with your product or need help regarding any technical aspects, please note that Two notes Audio Engineering has developed on-line services to provide you with fast and efficient technical support, the [[http://​support.two-notes.com/​|Two notes Help Desk]].
  
-Don't hesitate to browse the [[http://​support.two-notes.com/​knowledgebase.php|Knowledgebase]],​ which contains all sorts of useful ​informations, or [[http://​support.two-notes.com/​index.php?​a=add|submit a ticket]] if you have any question or need assistance with a Two notes product.+Don't hesitate to browse the [[http://​support.two-notes.com/​knowledgebase.php|Knowledgebase]],​ which contains all sorts of useful ​information, or [[http://​support.two-notes.com/​index.php?​a=add|submit a ticket]] if you have any question or need assistance with a Two notes product.
  
 ===== - Two notes Website ===== ===== - Two notes Website =====
torpedo_cab_m/torpedo_c.a.b._m_user_s_manual.txt · Last modified: 2020/06/08 15:07 by bruno.ferren